NEEL – Hospitality Project by Sameep Padora

Project Facts

Name of the project: NEEL
Status: Built
Year of completion: 2014
Design Team: Vami Koticha , Archita Banerjee , Aparna Dhareshwar
Location: Andheri East , Mumbai
Built up and Site Area: 3000 sft

Neel-Sameep Padora

There was no escaping the bulky, rectilinear columns that dominated the space. The site for the second outpost of one of the most vaunted hospitality brands in the city of Mumbai was its biggest challenge. An L –shaped, ground floor location with these massive columns down the middle meant that sP+a had to design in a manner to establish a directional datum for the space while reducing the static mass of its columns.

NEEL PLAN WITH GRAPHIC SCALE

Exploring materiality, the idea of malleable, slender steel pipes which provided subtle counterpoint to the rigidity of reinforced concrete, were considered as an interesting place to start. Stainless steel pipes served the dual purpose of drawing the eye to a lighter, reflective material and was a material that could be moulded and twisted to introduce a new rhythm into the static nature of the space.

Neel Schematic diagram

A fluid, yet perfectly balanced and dynamic geometry brought drama and sophistication to an otherwise featureless premises.

NEEL Section AA

Our scheme hence used doubly curved spiralling stainless steel tubes that spring from a column face to an opposite one on another column. This gesture creates a visual guide leading the users from the start to the end of the space.
The ambient light and the tiny light points, integrated into the structure itself, were reflected in and off the stainless steel pipes and added to the lightness of the space.

1

Leave a Reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Recent

Source - Deccan Chronicle

Wall As a Public Space
“To read public space only as a spatial condition, as a matter of square footage, zoning, or physical access, is to miss half the picture.”
—Reshma Esther Thomas

Reshma Esther Thomas examines how Hyderabad’s flyover pillars, painted with Cheriyal-style murals under the GHMC’s ‘City Art Scape’ initiative, reveal the paradox of managed public space. What appears to be beautification is actually cultural assertion in the wake of the 2014 bifurcation, bureaucratising a surface that once belonged to those without institutional power.

Read More »
Khazans in Slavador du Mundo, Bardez, Goa. © Kusum Priya (1)

The Map That Was Never Yours
“If publicness is reduced to what is legally accessible, then these landscapes were never public to begin with.”
—V.V. Kusum Priya

As part of our editorial: What makes a space public?, V.V. Kusum Priya argues that Section 39A of Goa’s 2024 Town and Country Planning Act this isn’t just a legal issue, and that it’s the erosion of an unrecognised but collectively sustained commons, and a question of what “public” really means and who benefits from the legislations surrounding this.

Read More »
Life on the public spaces in downtown Calcutta. Source - Wikimedia


“Appropriation of public spaces is the genesis of political movements, of ideological apparatus, and of endangering the city’s multi-dimensional fabric.”
—Dr. Seema Khanwalkar

Dr. Seema Khanwalkar, explores how the public spaces in India are dynamic, contested areas shaped by informal economies, migration, and social negotiation. She reveals how the transactional activities democratise ownership of these spaces, while the political and religious appropriation increasingly displaces this organic vitality, creating exclusion and anxiety. This shrinking of inclusive public space threatens urban social fabric, yet remains largely absent from city planning conversations, making it a far deeper crisis than mere encroachment.

Read More »
Sen Kapadia


“… people like Sen [Kapadia] don’t really leave. They become the questions we continue to ask.”
—A Tribute by Nuru Karim

Nuru Karim reflects on his relationship with Sen Kapadia through three transformative “states of being”—as a student, as a studio colleague, and as an independent professional. To capture Sen’s essence, Karim draws on three powerful metaphors: a mountain (commanding yet silent), a banyan tree (generous and sheltering), and a river (unseen yet ever-present). Together, these images paint a portrait of a man whose quiet depth left an indelible mark on all who encountered him.

Read More »
Sen Kapadia

Nirbhaya Nirgun
“Sen [Kapadia] found his own light early. He followed it without apology and without detour, and never let anyone dim it.”
—A Tribute by Pinkish Shah

Pinkish Shah’s homage to Sen Kapadia, celebrates him as fearless and formless in both life and work. Intellectually rooted in Louis Kahn and Sri Aurobindo, Sen pursued architecture that transcended form toward essential silence. Known for his courage, he maintained quiet, unwavering independence throughout his career.

Read More »

Featured Publications

New Release

Stories that provoke enquiry into built environment

www.architecture.live

Subscribe & Join a Community of Lakhs of Readers

We Need Your Support

To be able to continue the work we are doing and keeping it free for all, we request our readers to support in every way possible.

Your contribution, no matter the size, helps our small team sustain this space. Thank you for your support.

Contribute using UPI

Contribute Using Cards