Art Installation at Delhi by Vibhor Sogani

Installation Art – Sprouts at Delhi, by Vibhor Sogani

Sprouts project was initiated with the idea ‘when the seeds begin to sprout’. The objective was to create a landmark through a series of installations signifying growth, development and progress.
Art Installation at Delhi by Vibhor Sogani

Sprouts at New Delhi, by Vibhor SoganiIndia’s largest site-specific public art installation – ‘Sprouts’, standing 40 feet tall, came about as a Delhi government initiative towards the beautification of the capital. It is spread over 6 acres of greens surrounding the AIIMS flyover in the heart of Delhi.

‘From walled city to world city’ was the one line brief given to Vibhor Sogani by Sheila Dixit, the Chief Minister of Delhi, more than 10 years ago. Following the brief, the Sprouts project was initiated with the idea ‘when the seeds begin to sprout’. The objective was to create a landmark through a series of installations signifying growth, development and progress.

In harmony with the landscape, the idea behind the installation was to depict India as a growing nation through Stainless steel – the new age material. Designed to showcase India as a ‘world city’ for the upcoming Commonwealth Games in 2008, ‘Sprouts’ is symbolic of the feeling that India is rising after 60 years of independence.


Profile of Designer

Installation Art - Sprouts at Delhi, by Vibhor Sogani 2

Vibhor Sogani, born in Rajasthan, India, specialised in Industrial Design from the prestigious National Institute of Design, Ahmedabad. Given his diverse interests, he engaged in a wide range of creative projects in the areas of exhibition, graphic, retail and product design, for top global brands. Over the years, Vibhor has exhibited his works in various design & art shows. He has also handled offbeat projects like developing the country’s first few go-karting tracks; redesigning Mumbai’s suburban trains, redevelopment of copper craft in Kashmir, designing & producing some of the prominent trophies for international sports matches and government events, to name a few.

Famous for India’s largest and most visible public art installations, the ‘Sprouts’ (a Delhi Government initiative towards the beautification of Delhi), a 40 ft high stainless steel installation spread over 6 acres of greens surrounding the AIIMS flyover in the heart of Delhi, Vibhor Sogani’s creations are recognised globally. He has recently executed a 35 ft high installation, ‘Kalpavriksha – the wish fulfilling tree’ in Ahmedabad, which is perhaps the largest public art installation of the state and the second largest for India.

In October 2016, his solo exhibition titled ‘Mahatma in Me’, a tribute to Mahatma Gandhi, travelled to Australia to mark the occasion of Gandhi Jayanti. It was supported by the Australian & Indian Government, and was a huge success within the art domain. In August 2017, the exhibition was invited to Zimbabwe to mark the celebration of 70 years of India’s independence and beginning of the Indian festival ‘India in the Sunshine City’. In December 2017, the exhibition travelled to Tanzania and the works were displayed in the National Museum. The exhibition was supported by the Government of India and ICCR. The exhibition features 12 artworks in stainless steel representing Mahatma’s values of peace, equality and nonviolence.

In 2002, he launched his signature brand called SOGANI by Vibhor Sogani of lifestyle accessories using steel in combination with wood, brass, glass, etc. The SOGANI studio, with its R&D center and flagship show space is spread across 35,000 sq. ft. in New Delhi with an eclectic repository of over 60 indigenous designs. In 2018, SOGANI became the first Indian Lighting Designer brand to make it’s presence felt at the Light + Building fair in Frankfurt this year with its bespoke creations.

Multiple EDIDA winner, Vibhor has also been awarded ‘Indian Art Icon of the Year 2014’ in Singapore and has been recently nominated by the Government as a member of Governing Council of the India Design Council.

Studio : #41 B
Silver Oak Farms, Mehrauli Gurgaon Road, New Delhi, India
Phone: +91-9810950888
Email: media@vibhorsogani.com
Website: http://www.vibhorsogani.com/

Leave a Reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Recent

Edwin Lutyens' bust which was replaced by C. Rajagopalachari's bust in Rashtrapathi Bhavan

“Changing The Statue Does Not Change the Room”—Geethu Gangadhar on Edwin Lutyens’ Bust Removal

The current Indian government replaced Edwin Lutyens’ bust with freedom fighter C. Rajagopalachari’s at Rashtrapati Bhavan, framing it as decolonisation. But symbolic gestures don’t dismantle colonial mindsets embedded in governance, caste, and institutions. Geethu Gangadhar raises an important question: whether this removal is a way to eradicate colonial baggage or systemic removal of history.

Read More »
Massing during construction, retaining the exposed concrete facade composition, cross columns and profiled beams. Archival collection of Tibet House, 1977. Accessed in 2026

Brutalist India | Tibet House, New Delhi

As part of Brutalist India series Bhawna Dandona writes about Tibet House in New Delhi which is a non-profit cultural centre dedicated to preserving Tibetan heritage, founded in 1965 at the Dalai Lama’s request. The current building’s foundation was laid in 1974, with architect Shivnath Prasad.

Read More »
Vivek Rawal

Architecture, Power, and the Poor | “As a profession, architecture lacks moral position and has become complicit in the neoliberal dispossession of the poor.”—Vivek Rawal

Vivek Rawal argues that architecture—as a profession—is structurally aligned with political and economic power rather than social justice. He critiques how architectural education and practice prioritise developers and real estate over communities, turning housing into a market commodity. Even movements like sustainability and participation, he says, often become tools for elite consumption rather than genuine empowerment. True moral reform, according to Rawal, would mean architects relinquishing control and enabling community-led design and housing decisions.

Read More »
The Chunli Guesthouse, Shanghai, China by TEAM_BLDG 1

The Chunli Guesthouse, Shanghai, China by TEAM_BLDG

The Chunli Guesthouse, Shanghai, China by TEAM_BLDG’s response to nature, memory, and the spirit of place. The design takes “Catching” as its spiritual core, emphasizing the relationship between the architecture and the surrounding rice field landscape.

Read More »

Featured Publications

New Release

Stories that provoke enquiry into built environment

www.architecture.live

Subscribe & Join a Community of Lakhs of Readers

We Need Your Support

To be able to continue the work we are doing and keeping it free for all, we request our readers to support in every way possible.

Your contribution, no matter the size, helps our small team sustain this space. Thank you for your support.

Contribute using UPI

Contribute Using Cards