India House, Pune - Christopher Benninger Architects

India House, Pune – Architect’s own residence, studio, art gallery and guest house – Christopher Charles Benninger

India House draws its inspiration from the Indian, mixed-use, courtyard house, known as a “Wada”or Haveli. This traditional prototype is a counterblast to the sprawling, alien ‘bungalow’ typology fueling an unviable suburbia.
India House, Pune - Christopher Benninger Architects

India House, Pune - Christopher Benninger ArchitectsIndia House, is an architect own residence; studio, guest house and an art gallery on a 1000 S.M. urban plot. In order to block noise from the main arterial road, a sandstone “wall-like” façade enclosing an inward looking building, courtyard house was designed.

The road facing sandstone facade is embossed with 78 hand carved emblems of all beliefs and religions reviving fading crafts of the country. A sequence of forecourts with rescued palm trees, and lotus pools control climate, security and privacy. The front promenade leads to the sandstone “portal” that frames a 17th century Mogul wood door leading to the atrium focused on a Shiva statue. Composed of three equal sized volumes, with the middle volume left open as the atrium courtyard admitting sunlight and breeze, the atrium is the core breakout space to fifty creative people catalyzing communication, inspiration and interaction. The atrium transforms into a vibrant party plaza for music, dance and discourses.

India House, Pune - Christopher Benninger Architects

Contemporary louvers spanning across the atrium were inspired by mimic traditional screens, or “jaalis,” to control light, breeze and privacy within habitable spaces. The integration of vernacular ideas, and thoughtful design, optimizes use of natural north studio light and reduces the primary energy consumption. Double height spaces inter-link the reception with the lower art galleries and in the residence the formal living areas with the library and on up to the roof terrace acting as an exhaust chimney!

Leave a Reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Recent

Gender, Hysteria, and Architecture - The Witch Hunt. Henry Ossawa Tanner. Source - Wikiart

Gender. Hysteria. Architecture. | “When Did Care Become Confinement?”

Was architecture used by society to spatially “manage” women and their autonomy? Aditi A., through her research study as a part of the CEPT Writing Architecture course, examines the period before psychiatry, when fear had already become architectural, tracing how women’s autonomy was spatially managed through domestic regulation, witch hunts, informal confinement, and early institutional planning.

Read More »

A Modernist’s Doubt: Symbolism and the Late Career Turn

Why did acclaimed modernist architects suddenly introduce historical symbolism like arches, decorative elements, and other cultural references into their work after decades of disciplined restraint? Sudipto Ghosh interrogates this 1980s-90s symbolic turn as a rupture in architecture, questioning whether this represents an authentic reconnection with content and memory, or is it a mere superficial gesture towards absent meanings. Drawing from Heidegger’s analysis of the Greek temple, he distinguishes two modes of architectural representation, ultimately judging that this turn was a nascent rebellion against modernism that may have failed to achieve genuine integration of context, material, and memory.

Read More »
Ode to Pune - A Vision. © Narendra Dengle - 1

The City That Could Be: An Ode to Pune

Narendra Dengle, through his poem written in January 2006, presents a deep utopic vision for Pune—what the city could be as an ecologically sustainable, equitable city that balances nature with development. He sets ambitious benchmarks for prioritizing public transport over cars, preserving heritage, addressing slum rehabilitation humanely, and empowering local communities

Read More »
(left) Turtle Poem 1999 & Calligraphy 2006, by H. Masud Taj. © H. Masud Taj. (right) Photograph of Hassan Fathy 1976, © Martin Lyons

“Hassan Fathy’s head was in the heavens, heart in the right place, and feet planted firmly on earth.”—H. Masud Taj on his Turtle poem & Hassan Fathy

H. Masud Taj elucidates how, as a young architecture student, he dropped out of his institution to travel and learn from monuments, discovering in Gaudí’s Sagrada Familia a turtle column that catalyzed an inquiry, hearing Hassan Fathy’s explication of the turtle in Cairo, ultimately crystallizing in Taj’s poetic meditation on dwelling.

Read More »
Education Authority Bill - Viksit Bharat Shiksha Adhishthan Bill - Architecture Education, A. Srivathsan

Education Authority Bill: Its Implications for Architecture Education

A. Srivathsan in his preliminary overview of the new Viksit Bharat Shiksha Adhishthan Bill, notes that the bill could transform architectural education. The VBSA Bill proposes restructuring India’s higher education regulation, by dissolving UGC and related authorities, creating three new councils for regulation, accreditation, and standards.

Read More »

Featured Publications

New Release

We Are Hiring

Stories that provoke enquiry into built environment

www.architecture.live

Subscribe & Join a Community of Lakhs of Readers