Pranav Naik Interview - Studio Pomegranate

“I started my own private design practice right after my third year in Architecture School.” – Pranav Naik, Studio Pomegranate

“I knew I wanted to start my own practice, before I even graduated from architecture school. I never focused on projects lost or difficulties faced. Every difficulty became an opportunity to learn. To start a practice, you have to be intentional about it, unwavering. “
Pranav Naik Interview - Studio Pomegranate

“I knew I wanted to start my own practice, before I even graduated from architecture school. I never focused on projects lost or difficulties faced. Every difficulty became an opportunity to learn. To start a practice, you have to be intentional about it, unwavering. “

Pranav Naik weighs in on the subject matter of the implications of starting your own practice. Along with Shweta Chhatpar, he set up Studio Pomegranate in 2013; which is persistently exploring opportunities and potential for integrated collaborative design.

[bs-quote quote=”There were instances where we were very unsure of what we were doing, but that often opened up new opportunities to discover a new way of doing the same thing. When stuck on technical difficulties, we would always reach out to specialists for the same.” style=”default” align=”left” author_name=”Pranav Naik” author_job=”Studio Pomegranate” author_avatar=”https://architecture.live/wp-content/uploads/2018/06/Pranav-Naik2-e1529723251121.jpg”][/bs-quote]

Pranav brings in a fresh perspective to the premise. Starting your own practice is not just about overcoming the obstacles but converting the obstacles into opportunities for personal and professional growth. His stance on the subject concisely explains the right attitude for venturing out.

“I always wanted to have my own practice. I really wanted it. In fact, I started my own private design practice right after my third year in Architecture School.”

He reminisces, “I had not particularly named it anything, but would have various cards with my name printed on them for the means of networking and for potential clients to be able to contact me. At that time, I was working on a space for a diamond Jewelry Factory for Shrikant Sathe of Master, Sathe and Kothari. Soon, I found more clients who wanted me to design spaces for them, I spent a good part of that academic year doing these projects. Shweta was my classmate then, she would occasionally help me with projects. I would also incorporate graphic design assignments to earn extra money.”

He adds, “Although we had intended to start our practice two years before graduation, the genesis of Studio Pomegranate was not until 2013.” Pranav further comments on how starting your own practice is always a challenge but he then counters; suggesting that it would not be worth cherishing if it wasn’t!

“We ensure that we take projects we do not know how to entirely develop, we take it further as a personal challenge to invent or reinvent as we progress. We assimilate knowledge in this manner, to justify our aspirations to be better. He adds, “We also have several specialists whose expertise help us instrument better architecture. I personally believe we should never shy away from asking help, as an entrepreneur and as an architect you will always need a network of people to assuage you – be in the form of experts, architecture mentors, architects or friends.”

Given that starting your own practice initially brings in difficulties in the form of project management, business management and obtaining good projects for work, it becomes essential to rise to the challenge.

Pranav Naik Interview - Studio Pomegranate

He says, “The first project we did after establishing our firm was a pedestrian walkway at Prabhadevi. We really put in all our efforts. The walkway got several recognitions from national newspapers all week. It was a first of its kind of project and evinced interest from everywhere” he continues, “After which other clients contacted us for projects. Although this was the case, there were and will be periods where we won’t be getting enough projects. So, we would then focus our energy on research and designing for ourselves.”

Pranav says that there were moments where we stumbled, times where things were terrifying. In those periods, the key was to remind oneself how much you want this and to believe in yourself.

There were instances where we were very unsure of what we were doing, but that often opened up new opportunities to discover a new way of doing the same thing. When stuck on technical difficulties, we would always reach out to specialists for the same.

He further exemplifies; “I have been lucky to have friends I could always reach out to for help. Further inspirations such as F L. Wright, Geoffrey Bawa, The Ellora caves always motivated me to evolve as an architect.”

“Be intentional, don’t be afraid and never give up.”

 

click here to read more stories about starting architectural practice

 

Leave a Reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Recent

Source - Deccan Chronicle

Wall As a Public Space
“To read public space only as a spatial condition, as a matter of square footage, zoning, or physical access, is to miss half the picture.”
—Reshma Esther Thomas

Reshma Esther Thomas examines how Hyderabad’s flyover pillars, painted with Cheriyal-style murals under the GHMC’s ‘City Art Scape’ initiative, reveal the paradox of managed public space. What appears to be beautification is actually cultural assertion in the wake of the 2014 bifurcation, bureaucratising a surface that once belonged to those without institutional power.

Read More »
Khazans in Slavador du Mundo, Bardez, Goa. © Kusum Priya (1)

The Map That Was Never Yours
“If publicness is reduced to what is legally accessible, then these landscapes were never public to begin with.”
—V.V. Kusum Priya

As part of our editorial: What makes a space public?, V.V. Kusum Priya argues that Section 39A of Goa’s 2024 Town and Country Planning Act this isn’t just a legal issue, and that it’s the erosion of an unrecognised but collectively sustained commons, and a question of what “public” really means and who benefits from the legislations surrounding this.

Read More »
Life on the public spaces in downtown Calcutta. Source - Wikimedia


“Appropriation of public spaces is the genesis of political movements, of ideological apparatus, and of endangering the city’s multi-dimensional fabric.”
—Dr. Seema Khanwalkar

Dr. Seema Khanwalkar, explores how the public spaces in India are dynamic, contested areas shaped by informal economies, migration, and social negotiation. She reveals how the transactional activities democratise ownership of these spaces, while the political and religious appropriation increasingly displaces this organic vitality, creating exclusion and anxiety. This shrinking of inclusive public space threatens urban social fabric, yet remains largely absent from city planning conversations, making it a far deeper crisis than mere encroachment.

Read More »
Sen Kapadia


“… people like Sen [Kapadia] don’t really leave. They become the questions we continue to ask.”
—A Tribute by Nuru Karim

Nuru Karim reflects on his relationship with Sen Kapadia through three transformative “states of being”—as a student, as a studio colleague, and as an independent professional. To capture Sen’s essence, Karim draws on three powerful metaphors: a mountain (commanding yet silent), a banyan tree (generous and sheltering), and a river (unseen yet ever-present). Together, these images paint a portrait of a man whose quiet depth left an indelible mark on all who encountered him.

Read More »

Featured Publications

New Release

Stories that provoke enquiry into built environment

www.architecture.live

Subscribe & Join a Community of Lakhs of Readers

We Need Your Support

To be able to continue the work we are doing and keeping it free for all, we request our readers to support in every way possible.

Your contribution, no matter the size, helps our small team sustain this space. Thank you for your support.

Contribute using UPI

Contribute Using Cards