House at Rumtek, Sikkim, by Studio Interweave

Designed by Studio Interweave, the house at Rumtek is an attempt to re-contextualise the learnings from the past to the time in which it is made.

The following content (text, images, illustrations and videos) for the project is provided by the design firm. 

House at Rumtek, Sikkim, by Studio Interweave 1

Location: Rumtek, East Sikkim
Year: 2017

The importance of vernacular building technology is essential to the region’s continued tradition and identity. However, the element of ‘inevitable change’ compels this traditional knowledge to be reinterpreted and adapted to the modern context. The house at Rumtek is an attempt to re-contextualise the learnings from the past to the time in which it is made. It now stands as an addendum to the cultural process while the region is transitioning and witnessing a massive shift in the way we live.

Located on the opposite hill of Gangtok, the house sits on barren terraces of a paddy field that steps down the valley and faces north. The site offers a sweeping view of the city and the valley. The house was deliberately sited on the upper (southern) part of the land to catch the winter sun and for easy accessibility from the road.

House at Rumtek, Sikkim, by Studio Interweave 7

The program is designed in a way that all bedrooms have access to the winter sun as well as the view of the valley. The private areas of the house converge into the centrally located communal area to foster interactions and celebrate togetherness. This shared area is split into three different levels defining various activities. The different levels were a result of the topography of the site and our effort to minimize the impactful excavation.

The construction technique is borrowed from local traditions and has been further refined from its predecessors to suit modern needs and comfort. The lower levels of the house have load-bearing reinforced stone walls and the upper level has ‘Ikra’ walls which support the roof structure. Most materials used in this building are sourced locally.

‘Ekra’, or ‘Ikra’, has been an influential and familiar construction technique in the eastern Himalayan region. It is distinct in its timber frame construction and bamboo lattice infill, daubed with mud, straws, cow dung and lime or cement mortar on both sides—it is the ‘wattle and daub’ of the East.

House at Rumtek, Sikkim, by Studio Interweave 15

Ekra houses are often considered as ‘Kutcha houses’ and are a non-engineered building typology. Due to this, financial institutions find it difficult to recognise it as a collateral asset. It is associated with poverty and backwardness and is slowly being abandoned, even in rural areas.

Images

Share your comments

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Recent

Diwan-i-Khas at Fatehpur Sikri. Image by Manfred Sommer

“If the received wisdom of this Western historiography is Eurocentric and subjective, how do we trace the evolution of architectural consciousness in India?”—Jaimini Mehta

The essay is the second of a three-part series of preview essays for Jaimini Mehta’s forthcoming book, Sense of Itihasa; Architecture and History in Modern India. He explores how colonial perspectives distorted Indian architectural history, arguing that indigenous architectural theories existed beyond Eurocentric interpretations, with the mandala symbolizing a deeper conceptual understanding of cosmic and spatial design.

Read More »
Jaimini Mehta - Architecture and History

“Unless you ask these questions, you will not realise that it is not history but the perception of history that needs to be revisited.”—Jaimini Mehta

The essay is the first of a three-part series of preview essays for Jaimini Mehta’s forthcoming book, Sense of Itihasa; Architecture and History in Modern India.
The book analyses the works of several contemporary, post-independence Indian architects to demonstrate that since independence, they have revitalized traditional architectural elements and techniques, drawing inspiration from India’s itihasa.

Read More »
Social Media and Architecture. @ArchitectureLive! (Image is AI generated)

“Social media has pulled back the curtain, democratizing the discourse and, more importantly, the architect’s image.” —Athulya Aby

Athulya Aby writes about how social media has transformed architecture, making it accessible to the masses. While it offers opportunities for inclusivity and innovation, it also poses risks of superficiality and prioritizing aesthetics over function. The future lies in balancing online presence with real-world impact, according to Athulya.

Read More »

Featured Publications

We Are Hiring