Oritecture - Ankon Mitra

Exploring Oritecture with Ankon Mitra

Oritecture - Ankon Mitra

Exploring the conjunction of Origami and Architecture, Ankon Mitra’s Oritecture is an imaginative exercise in blurring the boundaries between craft and engineering. Titled with a portmanteau of his own invention, Mitra describes the concept as “the infusion of the ideas, philosophy and the expression of folding into architecture and design.”

Oritecture as an initiative is only a constant reminder to myself to explore and unearth this fundamental phenomena [of folding], and emulate these guiding principles in not only architecture, but all things that I create.

Mitra’s philosophy has guided and moulded several of his projects, ranging from sculpture and furniture to entire buildings. Here are a few of the examples:

Collaborative Project with Suryansh Chandra

Borrowing from the idea of weaving and structure in textiles, a hexagram-like form is imagined with its six arms radiating outwards – like a hexagonal sun. Origami usually generates sharp geometries – especially if created in metal – but here the idea was to represent a softening of that sharpness, creating fluid lines. Curved folding in metal was employed as a technique to achieve this idea of a benign and benevolent Sun. This is an open lattice, the lines of energy flowing and folding around the form resembling the Mandala of flowing energies around the Earth created through the interaction of the magnetic field of the planet with solar force-lines.

Oritecture - Ankon Mitra
The lines of solar energy folding around the Earth’s magnetic field is what inspired the form of the Hextile modules

The sculptures have been installed in the Nature Discovery Lounge at the St. Regis Resort in the Maldives. Individual modules have been optimized to create light-weight furniture, labelled Hextile Tables. The 0.5 mm thick aluminium sheets used to make these tables have been curve-folded, giving them a much higher strength than typical despite the thinness and lightness of the material.

Kirigami Lounge Chair (Scaled Prototypes)  – Upholstery Design and Fabrication by Kriya Studio

Kirigami – unlike Origami, which concerns itself with folding only – is a technique which allows material to be cut along with folding. It is a very effective method to make objects and forms light-weight by removing all superfluous material from the body of the form. While the folds of the Origami ensure strength disproportionate to the thinness of the original sheet metal, Kirigami ensures the form becomes even more light-weight than if it were only Origami. The Kirigami chairs are 3.5 feet wide and just as high, and made from stainless steel and upholstered with fabric and foam.

Yum Yum Cha Restaurants
 – Project undertaken by Hexagramm Design at Saket, Delhi and Cyberhub, Gurgaon

The interiors of the eateries have been conceptualized in vibrant colours, and the folded Origami décor compliments and synergizes with the Japanese cuisine. Here, Origami fulfils its original purpose – making people and spaces happy. The restaurant space soaks in themes like the Sea, Underwater World and the Rainforest Canopy. Objects are literal and depict birds, animals, plants and objects; the materials used here consist of paper, aluminium, and polypropylene.

Ankon Mitra - Oritecture - ProfileAuthor Bio: Ankon is an architect by training with a keen interest in the geometry and mathematics of plants, trees and flowers. A Gold-Medallist from the School of Planning and Architecture (S.P.A), New Delhi, and having pursued his Masters Degree from The Bartlett, University College London, he is Design Director (Landscape), at Hexagramm Design Pvt. Ltd. , working on resorts, farmhouses, hotels and residences of various sizes and imaginations. As part of his Oritecture initiative, he has conducted scores of workshops, designed interiors and sculptures for popular restaurant franchises, given a TEDx talk on the topic and hosted two solo art shows. He has also co-authored ‘Questioning Architecture’ with Gita Balakrishnan. Connect with Ankon Mitra on Facebook and Instagram

Share your comments

This site uses Akismet to reduce spam. Learn how your comment data is processed.


The Good, the Bad and the Aesthetic - Bhopal

The Good, the Bad and the Aesthetic

This essay delves into how municipal corporations envision creating Western cities (instead of responding to the Indian context) and end up creating cities that only appear to work, instead of actually being more socially inclusive, dynamic and publicly active. The Smart Cities Mission then caters only to the rich and this becomes evident in not just the visuals they use, but also the manner in which they describe their vision of a World Class Infrastructure. This essay by Avani Mittal is amongst the shortlisted essays.

Read More »
Source: Author

Chabutra As Thresholds To Effective Placemaking

The essay discusses the past, present, and future of the Chabutro’s in Ahmedabad from the author’s perspective based on their time spent there. Chabutro’s serve as markers and play a significant role in placemaking. The essay emphasizes the importance of Chabutro, highlighting the connection it holds for a potential future as a new wayfinding tool. This essay by Prakriti is amongst the shortlisted essays.

Read More »


ArchitectureLive! is hiring for various roles, starting from senior editors, content writers, research associates, graphic designer and more..