Durga Puja Festive Pavillion – Behala Nutan Dal, Kolkata, by Abin Design Studio

The overall experience of this net-zero art installation is to demonstrate a transcendental journey of freedom, agony and joy in childhood! Globally, children are going through a crisis brought on by being pushed to mould themselves into society's preconceived notions of education and lifestyle.

Starry fair in the al fresco of disintegrating childhood cycle…

Durga Puja Festive Pavillion - Behala Nutan Dal, Kolkata, by Abin Design Studio 1

‘Children’ and ‘Childhood’ are going through a crisis in the global context. They are set in the mundane moulds of this society governed by preconceived notions of education and lifestyle. Some children are even more unlucky to lose their childhood because of political turmoil and inhuman violence. Society needs to voice its opinion on this issue. ‘Art’ can be one such very strong medium to express the concerns pertaining to the children, who are actually the future flag bearers and responsible for the progress of our civilization.

The installation is based on the idea of ‘Childhood’ – the most formative and beautiful phase of human existence. At the entrance of the installation, an abstract flight of birds overhead depicts the freedom of thought and creativity in young children. The wings gradually diminish and the birds tessellate into an array of boxes. Along with the deconstructed arrangement, the boxes put forward a commentary on the scenario of a child’s immense inherent potential getting slowly confined into a metaphorical box. The form of the installation then compels the viewer into a ‘void’, a place to sit and contemplate, in the axial presence of “Maa Durga” – the source of energy, compassion and rejuvenation. This moment for reflection is intended to stir people into rethinking about the future of our children.

The overall experience of this art installation is to demonstrate a transcendental journey of freedom, agony and joy in childhood!

This temporal pavilion is a totally net-zero installation with all materials used 100% recyclable. The main pavilion is made of mild steel is to be dismantled and reused and the idols are made of scrap recycled metal will be retained as a sculpture for private collection or in art galleries. Other construction elements include bamboo and ply-board, also to be reused for other future pavilions. Apart from this other decorative elements are all crafted and re-used from newspaper.

It is the first time Abin Design Studio has designed a pavilion built for the “Durga Puja”, the biggest community festival of the City. It is a collaborative effort between people across various disciplines. The first to mention among them would be the local community or ‘Para’ (in Bengali) for entrusting us this huge responsibility and their immense amount of enthusiasm. Their passion and pride has been the driving factor for all of us. Apart from this the pavilion is conceptualized between our studio team of architects along with sculptors who designed the idols and accessories, and musicians who developed the background score. The whole setup has been executed by a team of more than 50 people, engineers and fabricators, artists, technicians of light and digital projection. The whole effort has been backed and supported by volunteers of the Behala Nutan Dal Club.

Images

Drawings

Credits:

Art Installation: Abin Design Studio
Design Team: Abin Chaudhuri, Arijit Dhar, Abhinaw Alok, Nancy Mandhan, Jibendra Basak, Toton Mondal & Sohomdeep Sinha Roy
3-D Modeling: Toton Mondal
Site and Project coordinator: Jiben Basak
Photographer: Suryan Dang, Abin Chaudhari, Sohomdeep Sinha Roy, Nancy Mandhan
Metal Fabricator: Shankar Sil and team.

In collaboration with:
Idols and Accessories: Narayan Sinha
Theme Music: Anupam Roy

In association with: Behala Nutan Dal

Leave a Reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Recent

Folles de la Salpétrière, (Cour des agitées.) (Madwomen of the Salpétrière. (Courtyard of the mentally disturbed.))

Gender. Hysteria. Architecture. | “How Did a Diagnosis Learn to Draw Walls?”

Did these spaces heal women or teach them how to disappear? Aditi A., through her research study as a part of the CEPT Writing Architecture course, in this chapter follows hysteria as it migrates from text to typology, inquiring how architectural decisions came to stand in for care itself. Rather than assuming architecture responded to illness, the inquiry turns the question around: did architecture help produce the vulnerability it claimed to manage?

Read More »
Gender, Hysteria, and Architecture - The Witch Hunt. Henry Ossawa Tanner. Source - Wikiart

Gender. Hysteria. Architecture. | “When Did Care Become Confinement?”

Was architecture used by society to spatially “manage” women and their autonomy? Aditi A., through her research study as a part of the CEPT Writing Architecture course, examines the period before psychiatry, when fear had already become architectural, tracing how women’s autonomy was spatially managed through domestic regulation, witch hunts, informal confinement, and early institutional planning.

Read More »

A Modernist’s Doubt: Symbolism and the Late Career Turn

Why did acclaimed modernist architects suddenly introduce historical symbolism like arches, decorative elements, and other cultural references into their work after decades of disciplined restraint? Sudipto Ghosh interrogates this 1980s-90s symbolic turn as a rupture in architecture, questioning whether this represents an authentic reconnection with content and memory, or is it a mere superficial gesture towards absent meanings. Drawing from Heidegger’s analysis of the Greek temple, he distinguishes two modes of architectural representation, ultimately judging that this turn was a nascent rebellion against modernism that may have failed to achieve genuine integration of context, material, and memory.

Read More »
Ode to Pune - A Vision. © Narendra Dengle - 1

The City That Could Be: An Ode to Pune

Narendra Dengle, through his poem written in January 2006, presents a deep utopic vision for Pune—what the city could be as an ecologically sustainable, equitable city that balances nature with development. He sets ambitious benchmarks for prioritizing public transport over cars, preserving heritage, addressing slum rehabilitation humanely, and empowering local communities

Read More »

Featured Publications

New Release

We Are Hiring

Stories that provoke enquiry into built environment

www.architecture.live

Subscribe & Join a Community of Lakhs of Readers