Brinda Somaya - Work and Continuities

Book: Brinda Somaya: Works & Continuities, An Architectural Monograph

Brinda Somaya has created a diverse and eclectic portfolio of work that spans the width and depth of India. Belonging to the “Bridge Generation”, Somaya defines the term and frames it as a time in which individuals initiated their careers in different arts including architecture and design as they addressed the changing socio-political landscape of a newly-Independent India. It was this generation that ‘bridged’ the architectural spaces between the Great Masters and the current generation.
Brinda Somaya - Work and Continuities

Brinda Somaya - Work and ContinuitiesThis volume is a comprehensive monograph chronicling the personal and professional journey of the Indian architect and urban conservationist Brinda Somaya, from 1975 to the present. Documenting a prolific practice, this volume provides an insight into the thinking and processes that have produced award-winning architecture, urban design, conservation and rehabilitation projects over the last four decades.

I am an Indian and all what I am comes from my heritage.
It is an intrinsic part of my being and will naturally reflect in my work in
many ways. The architect’s role is that of a guardian, he or she is the
conscience of the built and the unbuilt environment.
– Brinda Somaya
 Brinda Somaya has created a diverse and eclectic portfolio of work that spans the width and depth of India. Belonging to the “Bridge Generation”, Somaya defines the term and frames it as a time in which individuals initiated their careers in different arts including architecture and design as they addressed the changing socio-political landscape of a newly-Independent India. It was this generation that ‘bridged’ the architectural spaces between the Great Masters and the current generation.

Contributors:

Brinda Somaya - Work and ContinuitiesSome inner pages:

Also listen to Brinda Somaya and contributors talking about the book:

Her work transcends stylistic vocabulary and draws its inspiration from Indian culture, the landscape of the subcontinent. The book explores a cross-section of Somaya’s diverse typology of projects including housing, institutions, conservation, urban design, social design and industrial works that represent a unique ‘non-stylistic’ grammar that has a sense of ‘order and appropriateness’. Situating her work in a broader context, the essays in this volume offer multiple perspectives on Somaya’s accomplishments, while the dialogues outline the concerns central to her work.


Curators:

Nandini Somaya Sampat, architect, interior designer and Director at SNK Consultants, is involved in all aspects of the design, coordination and execution of projects.

Ruturaj Parikh is a partner at Matter, an architecture and content firm based in Goa. Former Director of the Charles Correa Foundation, he works on architectural and curatorial projects.

Leave a Reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Recent

Vivek Rawal

Architecture, Power, and the Poor | “As a profession, architecture lacks moral position and has become complicit in the neoliberal dispossession of the poor.”—Vivek Rawal

Vivek Rawal argues that architecture—as a profession—is structurally aligned with political and economic power rather than social justice. He critiques how architectural education and practice prioritise developers and real estate over communities, turning housing into a market commodity. Even movements like sustainability and participation, he says, often become tools for elite consumption rather than genuine empowerment. True moral reform, according to Rawal, would mean architects relinquishing control and enabling community-led design and housing decisions.

Read More »
The Chunli Guesthouse, Shanghai, China by TEAM_BLDG 1

The Chunli Guesthouse, Shanghai, China by TEAM_BLDG

The Chunli Guesthouse, Shanghai, China by TEAM_BLDG’s response to nature, memory, and the spirit of place. The design takes “Catching” as its spiritual core, emphasizing the relationship between the architecture and the surrounding rice field landscape.

Read More »
Gender. Hysteria. Architecture. | What Might Care Look Like If It Were Not Afraid of Women? 4

Gender. Hysteria. Architecture. | What Might Care Look Like If It Were Not Afraid of Women?

What kinds of spaces exist where women can breathe without being watched? If hysteria no longer exists as a diagnosis, why does its architecture remain? Aditi A., through her research study as a part of the CEPT Writing Architecture course, in the third and last chapter of this series follows the spatial logics that developed to manage hysteria, which continue in the contemporary environments of care safety, and everyday life. If the diagnosis has been discredited, what explains the persistence of its walls?

Read More »
Kirtee Shah on architecture profession at CEPT University alumni meet

“… the way architecture [profession] is perceived and practised, it needs to move from the pedestal to the ground.”—Kirtee Shah

In his presentation at the CEPT Alumni Meet, in January 2026, Kirtee Shah offers “something to think about” for the architects and planners regarding the future of architecture profession. He urges architects to relearn and refocus on service, sustainability, and inclusivity while addressing urban chaos, poor housing, rural neglect, and climate challenges.

Read More »

Featured Publications

New Release

Stories that provoke enquiry into built environment

www.architecture.live

Subscribe & Join a Community of Lakhs of Readers

We Need Your Support

To be able to continue the work we are doing and keeping it free for all, we request our readers to support in every way possible.

Your contribution, no matter the size, helps our small team sustain this space. Thank you for your support.

Contribute using UPI

Contribute Using Cards