Urbanism, Archcember’17 – storytelling through Illustrations - The Winning Entries

Archcember’17 – storytelling through Illustrations – The Winning Entries

Urbanism, Archcember’17 – storytelling through Illustrations - The Winning Entries
All designed objects, whether conceived by an architect, artist, graphic designer, industrial designer, or landscape architect, tell a story. Their stories can sometimes be discerned easily, and at other times need to be discovered through thoughtful consideration. The story can be as simple as a metaphor or as complex as a novel.

Architects are natural storytellers – it’s a process that is inherently built into our creative process and when used properly, it’s one of the very best tools in our tool bag. The Archcember challenge was about telling your story through illustrations sketches/doodles/paintings or computer generated illustrations and graphics) related to architecture.

Archcember was an engaging challenge of story-telling through Illustrations, started in December for all the architects, designers, students, academicians and the whole fraternity of architecture & related fields.

We gave participants 3 words every week and they had to tell us a story on the given words through illustrations and an article of 200 words which justifies the concept.

We received some amazing submissions during the month. Presenting the top illustrations and stories by the final Top-5 winners of the competition:

Word – Urbanism

Homogeneous reality incubator by Jowin Foo

Urbanism
Urbanism – Homogeneous reality incubator by Jowin Foo

Urbanism is nothing but a machine now, all living beings are forced to be the actors or the proletariat to sustain the machine’s seductive nature. Nevertheless, localism has become a myth even since globalised capitalism become the hegemony to govern the standard of living of all being on earth. Hence, the most efficient way is to make them all the same. However, it does not only provoke the sense of utilitarian but also tyranny from the man with power. Alas, the homogeneity can be only seen via the eye of a creator.

Word – Memory

Stories and memories by Edmund Tan

Stories and memories by Edmund Tan
Memory – Stories and memories by Edmund Tan

A being without memory would not have any conscious of its self-identity. A place without identity would not be any different. Reflecting on our current society, the dark side of controlling and regulating might not seem obvious, we were told what is right and wrong from the very beginning. We are told how to navigate in cities and what actions are prohibited. With the notions of controlling and identity, the city if Anamnesis is formed.

In the city if Anamnesis, citizens are provided with memories that will bring them into their ideal world, while navigating the memory palace with their own subconscious muscle memory. In the labyrinth, the feeding device will fall once they are on their designated area. The processing unit from above acts as an artificial hippocampus, but instead of feeding the memories that you own, it erases bad memories from the past and provide recreational joyful experience to the user.

It might be an inhumane ritual, but does the citizen of Anamnesis think so?

Word – Perspective

Memory is past, inspiration is future and perspective is today by Shailesh Gupta

Perspective
Memory is past, inspiration is future and perspective is today by Shailesh Gupta

Capitalism is shaping out architecture which is immediate and less humane.

In today’s context, the folk politics of the radical left is focused through a lens of immediacy. Implicitly – and often explicitly – the radical activist and academic left sees a return to immediacy as the best way to respond to the problems posed by global capitalism. This takes the form of various localisms (ecological, agricultural, monetary) as well as a preference for types of political organisation that only work in immediate contexts (consensus, direct democracy, pure horizontalism).

Word – Scale

The scale paradox by Kruthika Maddipoti

Scale - The scale paradox by Kruthika Maddipoti
Scale – The scale paradox by Kruthika Maddipoti

It is fascinating to see how a pattern repeats itself at different scales; it inspires us to think beyond. When my grandfather said ‘look around, you have everything you need’, I thought I knew what he meant but I understood it only years later when I was introduced to the concepts of bio-mimicry and astrology in architecture.

 We have bio-mimicry on one side which talks about how something as small as an atom can inspire to innovate and we have astrology on the other side which talks about the science of vaastu and about the infinite sky as a metaphor for infinite possibilities around. So here we exist somewhere between these paradoxes of scale, finding patterns and evolving to get better at it.

Word/Concept – Online Architectural Marketplace

The architect goes to market by Andrew Robertson

Online Architectural Marketplace - The architect goes to market by Andrew Robertson
Online Architectural Marketplace – The architect goes to market by Andrew Robertson

Online market places give today’s designers a platform that would never have been thought possible in the past. Whereas, before young designers struggled to show their content to the general public; these online places allow for more exposure which in turn leads to more opportunity.

You can check out other amazing submissions by the participants and winners on our website www.sqrfactor.com.

Leave a Reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Recent

Edwin Lutyens' bust which was replaced by C. Rajagopalachari's bust in Rashtrapathi Bhavan

“Changing The Statue Does Not Change the Room”—Geethu Gangadhar on Edwin Lutyens’ Bust Removal

The current Indian government replaced Edwin Lutyens’ bust with freedom fighter C. Rajagopalachari’s at Rashtrapati Bhavan, framing it as decolonisation. But symbolic gestures don’t dismantle colonial mindsets embedded in governance, caste, and institutions. Geethu Gangadhar raises an important question: whether this removal is a way to eradicate colonial baggage or systemic removal of history.

Read More »
Massing during construction, retaining the exposed concrete facade composition, cross columns and profiled beams. Archival collection of Tibet House, 1977. Accessed in 2026

Brutalist India | Tibet House, New Delhi

As part of Brutalist India series Bhawna Dandona writes about Tibet House in New Delhi which is a non-profit cultural centre dedicated to preserving Tibetan heritage, founded in 1965 at the Dalai Lama’s request. The current building’s foundation was laid in 1974, with architect Shivnath Prasad.

Read More »
Vivek Rawal

Architecture, Power, and the Poor | “As a profession, architecture lacks moral position and has become complicit in the neoliberal dispossession of the poor.”—Vivek Rawal

Vivek Rawal argues that architecture—as a profession—is structurally aligned with political and economic power rather than social justice. He critiques how architectural education and practice prioritise developers and real estate over communities, turning housing into a market commodity. Even movements like sustainability and participation, he says, often become tools for elite consumption rather than genuine empowerment. True moral reform, according to Rawal, would mean architects relinquishing control and enabling community-led design and housing decisions.

Read More »
The Chunli Guesthouse, Shanghai, China by TEAM_BLDG 1

The Chunli Guesthouse, Shanghai, China by TEAM_BLDG

The Chunli Guesthouse, Shanghai, China by TEAM_BLDG’s response to nature, memory, and the spirit of place. The design takes “Catching” as its spiritual core, emphasizing the relationship between the architecture and the surrounding rice field landscape.

Read More »

Featured Publications

New Release

Stories that provoke enquiry into built environment

www.architecture.live

Subscribe & Join a Community of Lakhs of Readers

We Need Your Support

To be able to continue the work we are doing and keeping it free for all, we request our readers to support in every way possible.

Your contribution, no matter the size, helps our small team sustain this space. Thank you for your support.

Contribute using UPI

Contribute Using Cards