Exhibition: Time Travel with The Traveling Ink Pot, by Yashwant D Pitkar

Exhibition: Time Travel with The Traveling Ink Pot, by Yashwant D Pitkar 1We exist in a day an age where most ‘stuff’ is disposable; From income to cutlery, mobile numbers to tissue paper, from gel pens to relationships, ‘use and throw’ is more the norm than the exception. Given this scenario, ‘collect and cherish’ comes truly as a breath of fresh air; and more so when it has to do with an architect’s passion for his armaments at hand – Pens and Ink.

As Prof Yashwant Pitkar, architect, photographer and collector aptly phrases it “Passion is the essence of life” as he lovingly puts together his collection of 120 ink bottles, 40 accessories and over 20 books into an exhibition titled The Travelling Ink Pot. This exhibition is being held at the Rachana Sansad Academy of Architecture, Prabhadevi, Mumbai from 16 -20 Jan 2018, 1 pm to 7 pm.

Like most others, I started out with a bottle of Camel ink, and from there went on to develop a passion for that medium,” says Prof Pitkar nostalgically. He fondly remembers his escapades into the old streets of cities he visited, hunting for shops that could hold old items and scouting for ink bottles from nooks and corners of the country.

Besides a dazzling variety of ink bottles which he has painstakingly collected over a period of 20 years, the exhibition also throws light on the history of ink which can be traced back to 2500 BCE to ancient Egypt and China and how it evolved over centuries to the printing inks of today. Prof Pitkar spiritedly talks about the history of Rajahmundry, where the first fountain pens in India were crafted in 1928; a place that Mahatma Gandhi found worth paying a visit during the freedom struggle. It also features other famous pen and ink haunts across Hyderabad (Deccan Pen) and Chennai (Gem Pen Co) to Anderson Pens and Fountain Pen Hospital in USA.

The exhibition also brings awareness of a community of people spread across the world who share this common passion. These range from pen repairers to pen restorers, pen auctions to pen insurances and pen researchers to pen friends. This exhibition plans to travel to 8 cities across Maharashtra to share its stories with many others

Some images from the exhibition:

The exhibits are stunning to put it mildly. Each beautifully crafted piece ranging from the older brands like Brill, Camel, Waterman and Sulekha to the latest international brands like Louis Vuitton, Davidoff, Cartier amongst others exhibit designs at par with the finest perfume bottles in the world. Accessories range from Jai hind pen holders from the dawn of Indian independence to black sand and blotters designed to dry the inks and intricate, animal shaped brass inkpot holders and many more.

The variety of inks that these exquisite bottles hold are uniquely crafted; from fragrant ‘I Love You’ inks devised to help write love letters, to invisible inks that reveal under UV rays, to inks containing traces of DNA, to snake ink made to remedy writers block, each bottle of ink has a story to tell. The vibrant array of colours of ink ranges from sombre blacks to royal violets to trendy neons, adding up to a total of 90 available colours.

A glimpse at this exhibition inspires the artist in you to sketch and urges the writer in you to write some more. The visitor leaves the exhibition taking back a whiff of history narrated through pools of luminous inks nestled in sinuous, iridescent glass bottles. What lingers long after one has left is the persistence and effort of a simple man who makes us believe even today, in permanence and in the timeless power of pen and ink to change the world.

Share your comments

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Recent

Diwan-i-Khas at Fatehpur Sikri. Image by Manfred Sommer

“If the received wisdom of this Western historiography is Eurocentric and subjective, how do we trace the evolution of architectural consciousness in India?”—Jaimini Mehta

The essay is the second of a three-part series of preview essays for Jaimini Mehta’s forthcoming book, Sense of Itihasa; Architecture and History in Modern India. He explores how colonial perspectives distorted Indian architectural history, arguing that indigenous architectural theories existed beyond Eurocentric interpretations, with the mandala symbolizing a deeper conceptual understanding of cosmic and spatial design.

Read More »
Jaimini Mehta - Architecture and History

“Unless you ask these questions, you will not realise that it is not history but the perception of history that needs to be revisited.”—Jaimini Mehta

The essay is the first of a three-part series of preview essays for Jaimini Mehta’s forthcoming book, Sense of Itihasa; Architecture and History in Modern India.
The book analyses the works of several contemporary, post-independence Indian architects to demonstrate that since independence, they have revitalized traditional architectural elements and techniques, drawing inspiration from India’s itihasa.

Read More »
Social Media and Architecture. @ArchitectureLive! (Image is AI generated)

“Social media has pulled back the curtain, democratizing the discourse and, more importantly, the architect’s image.” —Athulya Aby

Athulya Aby writes about how social media has transformed architecture, making it accessible to the masses. While it offers opportunities for inclusivity and innovation, it also poses risks of superficiality and prioritizing aesthetics over function. The future lies in balancing online presence with real-world impact, according to Athulya.

Read More »

Featured Publications

We Are Hiring