UNESCO Adds Sacred Ensembles of the Hoysalas to World Heritage List

The most remarkable architectural achievement of the Hoysala is the numerous intricately carved stone temples in star shaped plans. The architecture of the Hoysalas is a hybrid of the nagara style of temple architecture of north India and the dravidian style from the South.

SHARE THIS

UNESCO Adds Sacred Ensembles of the Hoysalas to World Heritage List 1
Photographed by Dineshkannambadi, Wikimedia Commons

In a momentous announcement, UNESCO has added the “Sacred Ensembles of the Hoysalas” to its prestigious World Heritage List, recognizing the cultural and historical significance of this remarkable site in India.

From the UNESCO Website

The most remarkable architectural achievement of the Hoysala is the numerous intricately carved stone temples in star shaped plans. The architecture of the Hoysalas is a hybrid of the nagara style of temple architecture of north India and the dravidian style from the South. The temples were built on platforms and had a star shaped plan. A navaranga was usually included as a place for people to gather and participate in cultural programs such as music and dance performances, story-telling from mythology, and religious discourses. Visual elements such as a gently curving bell shaped chajja, and lathe turned stone pillars with circular rings carved on them are typical stylistic elements of Hoysala architecture. Rich sculptural decoration is a mark of the highest artistic achievement of the Hoysalas. The exterior walls of the numerous temples were intricately decorated with stone sculptures and carving. These sculptures are rich with religious and cultural iconography depicting gods and goddesses, wars and victories, dance and music, hunting, games, processions, and the dress, jewelry, and daily life of people and scenes from the Ramayana, Mahabharata, and the Bhagavatham. The temples were built of a soft chlorite-schist stone quarried nearby that was especially soft when first quarried and hardened on contact with air. Other smaller temples, shrines, and mantapa dot the town. Mantapa that are pavilions or pillared halls of all sizes are a typical feature and occurred with temples and without.

Like what we publish?

Leave a Reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Recent Posts

Sen Kapadia


“… people like Sen [Kapadia] don’t really leave. They become the questions we continue to ask.”
—A Tribute by Nuru Karim

Nuru Karim reflects on his relationship with Sen Kapadia through three transformative “states of being”—as a student, as a studio colleague, and as an independent professional. To capture Sen’s essence, Karim draws on three powerful metaphors: a mountain (commanding yet silent), a banyan tree (generous and sheltering), and a river (unseen yet ever-present). Together, these images paint a portrait of a man whose quiet depth left an indelible mark on all who encountered him.

Read More »
Sen Kapadia

Nirbhaya Nirgun
“Sen [Kapadia] found his own light early. He followed it without apology and without detour, and never let anyone dim it.”
—A Tribute by Pinkish Shah

Pinkish Shah’s homage to Sen Kapadia, celebrates him as fearless and formless in both life and work. Intellectually rooted in Louis Kahn and Sri Aurobindo, Sen pursued architecture that transcended form toward essential silence. Known for his courage, he maintained quiet, unwavering independence throughout his career.

Read More »
Prof Shireesh Atmaram Deshpande

“Professor Shireesh Deshpande chose the far more difficult task: to mould young minds into thoughtful, responsible, and rooted architects.”—A Tribute by Sarbjit Singh Bagha

Sarbjit Singh Bagha shares his tribute to Prof. Shireesh Atmaram Deshpande (1934–2026), a pioneering figure in Indian architectural education who passed away on 10 April 2026 at 91. Known affectionately as “Dada,” he spent nearly four decades at VNIT Nagpur, founding India’s first M.Arch. programme and introducing innovative pedagogy. He served as President of the Indian Institute of Architects (1992–1994). Choosing teaching over professional practice, he shaped generations of architects.

Read More »
View of the setting, Asiad. Credits: Meaningful Design Labs

Brutalist India | Asiad Tower, New Delhi

As part of Brutalist India series Bhawna Dandona writes about the Asiad Tower on Khel Gaon Marg in New Delhi, originally designed as a revolving restaurant, but now used as a venue for functions and weddings. The structure stands in close proximity to the Asiad Village and Siri Fort Complex and was designed by the Architectural Department of the Delhi Development Authority.

Read More »

Featured Publications

New Release

Stories that provoke enquiry into built environment

www.architecture.live

Subscribe & Join a Community of Lakhs of Readers

We Need Your Support

To be able to continue the work we are doing and keeping it free for all, we request our readers to support in every way possible.

Your contribution, no matter the size, helps our small team sustain this space. Thank you for your support.

Contribute using UPI

Contribute Using Cards