The South View School. Reemram by R D Studio

The South View School, Remraam by R+D Studio

The South View School, Reemram designed by R+D Studio, is an institution housed to nurture and educate young minds planned as a perfect blend of rationale planning and aspirational design, creating a landmark within the Dubai school community.
The South View School. Reemram by R D Studio
The South View School, Remraam by R+D Studio 1

The South View School, Remraam designed by R+D Studio

An institution housed to nurture and educate young minds planned as a perfect blend of rationale planning and aspirational design, creating a landmark within the Dubai school community. As a coalescence of different building blocks, the K12 school is designed around the concept of conjoining engineering and architecture, while keeping its context in the highest regard.

With an intention of building a sanctum for the kids, South View School exhibits statuesque, fortified walls that are punctured by a narrow alley that reflect the fort city streetscape meeting at intersections which are the lungs of the settlement. As one enters through the slender pathway, they are met with a voluminous premise, where the building introduces an illustrious courtyard, symbolic to a city square. Integrated with recreational and interactive zones, this expansive courtyard then paves way into the various functionalities of the school but also acts as the heart and soul of the kid’s alma mater. Keeping up with the standard functionality of an institutional space, the studio took a call to romanticize the building’s central core and to amplify its individuality by highlighting its form. Standing tall with its mighty facade and its majestic courtyard, the building proffers a nod to UAE Fort’s emblematic architecture.

The design of the school is fundamentally governed by a perceptive, utilitarian way of planning, tailored as per the needs of a K12 institute. Various functions of the school are separated into different levels, to create a programmatic and zonal division. I then connected these levels through an array of open to sky courts, so as to promote spatial and visual interaction between the kids, an essential part of the school. The kindergarten is placed at the base level, next to a recreation zone complete with an amphitheater and a play area, to make the most of the vast landscape for the younger children. The upper floors provide a sanctuary for the older students, further diverging into two wings that are reminiscent of a sapling branching its way out. These branches at the topmost floor are connected by a strategically placed library, suggestive of the importance of a centrally placed, soaring temple that houses endless knowledge. Worthy of note, this programmatic way of planning is also exhibited through the facade, where each scholarly function displays a different design of fenestration, and ends up creating a truly compelling facade. 

The construction of the South View School creates a euphonious blend of contemporary and traditional architecture, as the building flaunts a modern precast structure, constructed in just a matter of six months, wrapped in the ancestral Saudi stone. The planning exhibits a more conventional approach, mainly by the use of its courtyard, that helps in the formation of a suitable microclimate allows for the use of Mashrabias, a type of screening device ornamented with latticework, that enclose the windows and bring in filtered air and daylight. A striking envelope is created over the structure, through the use of pergolas and tensile canopies that cover its multiple layers. These canopies, flaming yellow in color, along with the building’s carefully carved massing, bring in rays of natural light that makes the space come alive through a dynamic play of sunshine and shadow. Lined with the many courts and canopies at the terrace, the architecture creates its first line of defense against the dusty winds of Remraam.

In line with the studio’s philosophy of creating impactful interventions that initiate the betterment of our environment, South View School is a study in the concept of ‘contextual awareness’. Contrary to the belief of using a modern material palette for a contemporary building, the design provides a mindful balance between the old and the new, and does not alienate the experience of its local environment.

Gallery of The South View School

Drawings

Project Facts

Programme: K-12 British Curriculum School
Location: Remraam, Dubai, UAE
Site Area: 4.8 Acres
Built-Up:135000sqft
Completed Year: 2021
Team: Shikha Doogar, Shridhar Rao, Rachita Malhotra, Tiyas Mandal, Mudit Gupta, Rohan Arora, Karishma Garg, Arushi Chand, Rana Sarkar, Manavi Dixit
Photography: Beno Saradzic
Text: Yamini Kathuria

Leave a Reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Recent

Khazans in Slavador du Mundo, Bardez, Goa. © Kusum Priya (1)

The Map That Was Never Yours
“If publicness is reduced to what is legally accessible, then these landscapes were never public to begin with.”
—V.V. Kusum Priya

As part of our editorial: What makes a space public?, V.V. Kusum Priya argues that Section 39A of Goa’s 2024 Town and Country Planning Act this isn’t just a legal issue, and that it’s the erosion of an unrecognised but collectively sustained commons, and a question of what “public” really means and who benefits from the legislations surrounding this.

Read More »
Life on the public spaces in downtown Calcutta. Source - Wikimedia


“Appropriation of public spaces is the genesis of political movements, of ideological apparatus, and of endangering the city’s multi-dimensional fabric.”
—Dr. Seema Khanwalkar

Dr. Seema Khanwalkar, explores how the public spaces in India are dynamic, contested areas shaped by informal economies, migration, and social negotiation. She reveals how the transactional activities democratise ownership of these spaces, while the political and religious appropriation increasingly displaces this organic vitality, creating exclusion and anxiety. This shrinking of inclusive public space threatens urban social fabric, yet remains largely absent from city planning conversations, making it a far deeper crisis than mere encroachment.

Read More »
Sen Kapadia


“… people like Sen [Kapadia] don’t really leave. They become the questions we continue to ask.”
—A Tribute by Nuru Karim

Nuru Karim reflects on his relationship with Sen Kapadia through three transformative “states of being”—as a student, as a studio colleague, and as an independent professional. To capture Sen’s essence, Karim draws on three powerful metaphors: a mountain (commanding yet silent), a banyan tree (generous and sheltering), and a river (unseen yet ever-present). Together, these images paint a portrait of a man whose quiet depth left an indelible mark on all who encountered him.

Read More »
Sen Kapadia

Nirbhaya Nirgun
“Sen [Kapadia] found his own light early. He followed it without apology and without detour, and never let anyone dim it.”
—A Tribute by Pinkish Shah

Pinkish Shah’s homage to Sen Kapadia, celebrates him as fearless and formless in both life and work. Intellectually rooted in Louis Kahn and Sri Aurobindo, Sen pursued architecture that transcended form toward essential silence. Known for his courage, he maintained quiet, unwavering independence throughout his career.

Read More »
Prof Shireesh Atmaram Deshpande

“Professor Shireesh Deshpande chose the far more difficult task: to mould young minds into thoughtful, responsible, and rooted architects.”—A Tribute by Sarbjit Singh Bagha

Sarbjit Singh Bagha shares his tribute to Prof. Shireesh Atmaram Deshpande (1934–2026), a pioneering figure in Indian architectural education who passed away on 10 April 2026 at 91. Known affectionately as “Dada,” he spent nearly four decades at VNIT Nagpur, founding India’s first M.Arch. programme and introducing innovative pedagogy. He served as President of the Indian Institute of Architects (1992–1994). Choosing teaching over professional practice, he shaped generations of architects.

Read More »
View of the setting, Asiad. Credits: Meaningful Design Labs

Brutalist India | Asiad Tower, New Delhi

As part of Brutalist India series Bhawna Dandona writes about the Asiad Tower on Khel Gaon Marg in New Delhi, originally designed as a revolving restaurant, but now used as a venue for functions and weddings. The structure stands in close proximity to the Asiad Village and Siri Fort Complex and was designed by the Architectural Department of the Delhi Development Authority.

Read More »

Featured Publications

New Release

Stories that provoke enquiry into built environment

www.architecture.live

Subscribe & Join a Community of Lakhs of Readers

We Need Your Support

To be able to continue the work we are doing and keeping it free for all, we request our readers to support in every way possible.

Your contribution, no matter the size, helps our small team sustain this space. Thank you for your support.

Contribute using UPI

Contribute Using Cards