sonipat-school-4-nilanjan-bhowal

Proposed Primary School at Sonipat – Nilanjan Bhowal, Design Consortium

Traditional schools dwell with the idea of a purely functional space with a separate exterior serving solely for beautification. Our design concept was to accommodate all the requirements of a primary school (within 5 levels including basement and terrace) but defer from the conventional add-on façade system.
sonipat-school-4-nilanjan-bhowal
sonipat-school-4-nilanjan-bhowal
Rendered View

Traditional schools dwell with the idea of a purely functional space with a separate exterior serving solely for beautification.

sonipat-school-4-nilanjan-bhowal
Plan

Our design concept was to accommodate all the requirements of a primary school (within 5 levels including basement and terrace) but defer from the conventional add-on façade system. The exterior skin has slits cut open in each room.  These openings face north so as to let the light in and keep the heat out. An opening in the roof runs light through all the floors of this narrow building. The larger spaces are stacked on one end of the building, visually balancing the numerous openings. This overlapping arrangement of vertical cuts not only binds the interior with the exterior of the building but also builds a unique façade. Thus the façade serves one with its design inside out.

More Photos

sonipat-school-3

so9nipat-school

Project facts:

Category for project : Institutional
Name of the clients :  Jindals
Stage  Unbuilt
Location for project: Delhi Sonipat Highway
Built Up  4735 sq  mts  and Site Area 3804 sq mts

Text and Images: Design Consortium

Leave a Reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Recent

Source - Deccan Chronicle

Wall As a Public Space
“To read public space only as a spatial condition, as a matter of square footage, zoning, or physical access, is to miss half the picture.”
—Reshma Esther Thomas

Reshma Esther Thomas examines how Hyderabad’s flyover pillars, painted with Cheriyal-style murals under the GHMC’s ‘City Art Scape’ initiative, reveal the paradox of managed public space. What appears to be beautification is actually cultural assertion in the wake of the 2014 bifurcation, bureaucratising a surface that once belonged to those without institutional power.

Read More »
Khazans in Slavador du Mundo, Bardez, Goa. © Kusum Priya (1)

The Map That Was Never Yours
“If publicness is reduced to what is legally accessible, then these landscapes were never public to begin with.”
—V.V. Kusum Priya

As part of our editorial: What makes a space public?, V.V. Kusum Priya argues that Section 39A of Goa’s 2024 Town and Country Planning Act this isn’t just a legal issue, and that it’s the erosion of an unrecognised but collectively sustained commons, and a question of what “public” really means and who benefits from the legislations surrounding this.

Read More »
Life on the public spaces in downtown Calcutta. Source - Wikimedia


“Appropriation of public spaces is the genesis of political movements, of ideological apparatus, and of endangering the city’s multi-dimensional fabric.”
—Dr. Seema Khanwalkar

Dr. Seema Khanwalkar, explores how the public spaces in India are dynamic, contested areas shaped by informal economies, migration, and social negotiation. She reveals how the transactional activities democratise ownership of these spaces, while the political and religious appropriation increasingly displaces this organic vitality, creating exclusion and anxiety. This shrinking of inclusive public space threatens urban social fabric, yet remains largely absent from city planning conversations, making it a far deeper crisis than mere encroachment.

Read More »
Sen Kapadia


“… people like Sen [Kapadia] don’t really leave. They become the questions we continue to ask.”
—A Tribute by Nuru Karim

Nuru Karim reflects on his relationship with Sen Kapadia through three transformative “states of being”—as a student, as a studio colleague, and as an independent professional. To capture Sen’s essence, Karim draws on three powerful metaphors: a mountain (commanding yet silent), a banyan tree (generous and sheltering), and a river (unseen yet ever-present). Together, these images paint a portrait of a man whose quiet depth left an indelible mark on all who encountered him.

Read More »

Featured Publications

New Release

Stories that provoke enquiry into built environment

www.architecture.live

Subscribe & Join a Community of Lakhs of Readers

We Need Your Support

To be able to continue the work we are doing and keeping it free for all, we request our readers to support in every way possible.

Your contribution, no matter the size, helps our small team sustain this space. Thank you for your support.

Contribute using UPI

Contribute Using Cards