Indian National War Museum International Competition - 2016 - Horizon Design Studio

Indian National War Museum International Competition – 2016 – Horizon Design Studio

The design for the museum is based on an intuitive and sympathetic approach to the context and nature of Central (Lutyen's) Delhi. The design is influenced by Delhi's vivid history, glorious architectural heritage, and its vibrant character.
Indian National War Museum International Competition - 2016 - Horizon Design Studio

Project Location: New Delhi, India
Design Team: Horizon Design Studio – Sunil Yadav, Anil Yadav
Drafting: Sanjay Kumar, Rahul Kumar
Illustration: Potsangbam, Anandibala
Project Status: Proposal / Idea / Unbuilt


Design Concept
The design for the museum is based on an intuitive and sympathetic approach to the context and nature of Central (Lutyen’s) Delhi. The design is influenced by Delhi’s vivid history, glorious architectural heritage, and its vibrant character. The armed forces’ rich past – dating back several millennia – has been assimilated into the design by usage of robust materials (Dholpur Stone and white exposed concrete), colossal volume, and symmetry of form.

Indian National War Museum - Horizon Design Studio The proposed design constitutes ‘two replicated linear concrete blocks connected by a smaller glass box sitting on a large platform/plinth facing India Gate’. The symmetrical volumes are juxtaposed with the vernacular design of Delhi, influenced by previous rulers such as Mughals and Rajputs, as well as the Indo-Saracenic style.

Indian National War Museum - Horizon Design Studio
Location plan in context with Rajpath and Rashtrapati Bhavan
Indian National War Museum - Horizon Design Studio
Master Plan
Indian National War Museum - Horizon Design Studio
Site plan with surrounding context

The design approach takes into serious consideration the existing surrounding landscape and built character, and offers an engaging experience by encouraging visitors at India Gate, Central Vista, Copernicus Marg and Tilak Marg to flow into the complex through multiple levels & entries, making it a truly public building offering a mix of indoor & outdoor spaces. The symmetrical layout, the singular design approach and the incorporated architecture elements (raised plinth, domes and columns) makes the building iconic.

Indian National War Museum International Competition - 2016 - Horizon Design Studio

Atrium/Public Space

On the front side of the façade is a large, rectangular, free-standing concrete wall with a bronze  ‘Ashoka Chakra’ embedded into the wall – depicting the continuity of India and her armed forces’ rich history’ through an element of the national emblem. Behind this screen wall is the recessed entrance to the largest volumetric space of the building; the massive atrium features a generous common public space.

Indian National War Museum - Horizon Design Studio
Main atrium looking towards rear end of the building from ground level

The central atrium, with multiple timber-clad grand staircases, connects various levels; their centralized location minimizes the effective length of the linear corridors, and reduces the walking time for the visitors in the 20,000 sq.m exhibition space. The grand staircases also serve as a prominent architectural element.

Indian National War Museum - Horizon Design Studio
Main concourse looking towards the main entrance of the building from second level

The auditorium also features a landmark linear dome, half of which is made of glass to admit natural light. Similarly, he glass curtain wall on the northern edge of atrium brings in uninterrupted northern/eastern light.

The raised plinth/terrace allows the visitor to walk on all four sides of the building at the upper ground level, and makes the museum an intelligent functional space without any rear or front in essence.

Landscape

The rear public garden and landscaped alameda is meant to host several military-specific installations and statues of war heroes. Set against the backdrop of the existing lush, tree-dominated, peaceful setting at the rear, an open amphitheatre has been designed at the north-west corner of the museum, with the raised plinth/terrace as the stage and the cladded wall acting as a screen; the approach is responsive towards the existing landscape as well as the proposed building, and seeks to engage the community.

Structure

The structure consists of a concrete column grid, with walls cast in-situ. The dome has a metallic frame cladded with stone on the western side, and glass panels to the east. The stairs are proposed as concrete in-situ cladded with timber.

Indian National War Museum International Competition - 2016 - Horizon Design Studio
Elevation

More Images

Drawings

Leave a Reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Recent

Source - Deccan Chronicle

Wall As a Public Space
“To read public space only as a spatial condition, as a matter of square footage, zoning, or physical access, is to miss half the picture.”
—Reshma Esther Thomas

Reshma Esther Thomas examines how Hyderabad’s flyover pillars, painted with Cheriyal-style murals under the GHMC’s ‘City Art Scape’ initiative, reveal the paradox of managed public space. What appears to be beautification is actually cultural assertion in the wake of the 2014 bifurcation, bureaucratising a surface that once belonged to those without institutional power.

Read More »
Khazans in Slavador du Mundo, Bardez, Goa. © Kusum Priya (1)

The Map That Was Never Yours
“If publicness is reduced to what is legally accessible, then these landscapes were never public to begin with.”
—V.V. Kusum Priya

As part of our editorial: What makes a space public?, V.V. Kusum Priya argues that Section 39A of Goa’s 2024 Town and Country Planning Act this isn’t just a legal issue, and that it’s the erosion of an unrecognised but collectively sustained commons, and a question of what “public” really means and who benefits from the legislations surrounding this.

Read More »
Life on the public spaces in downtown Calcutta. Source - Wikimedia


“Appropriation of public spaces is the genesis of political movements, of ideological apparatus, and of endangering the city’s multi-dimensional fabric.”
—Dr. Seema Khanwalkar

Dr. Seema Khanwalkar, explores how the public spaces in India are dynamic, contested areas shaped by informal economies, migration, and social negotiation. She reveals how the transactional activities democratise ownership of these spaces, while the political and religious appropriation increasingly displaces this organic vitality, creating exclusion and anxiety. This shrinking of inclusive public space threatens urban social fabric, yet remains largely absent from city planning conversations, making it a far deeper crisis than mere encroachment.

Read More »
Sen Kapadia


“… people like Sen [Kapadia] don’t really leave. They become the questions we continue to ask.”
—A Tribute by Nuru Karim

Nuru Karim reflects on his relationship with Sen Kapadia through three transformative “states of being”—as a student, as a studio colleague, and as an independent professional. To capture Sen’s essence, Karim draws on three powerful metaphors: a mountain (commanding yet silent), a banyan tree (generous and sheltering), and a river (unseen yet ever-present). Together, these images paint a portrait of a man whose quiet depth left an indelible mark on all who encountered him.

Read More »

Featured Publications

New Release

Stories that provoke enquiry into built environment

www.architecture.live

Subscribe & Join a Community of Lakhs of Readers

We Need Your Support

To be able to continue the work we are doing and keeping it free for all, we request our readers to support in every way possible.

Your contribution, no matter the size, helps our small team sustain this space. Thank you for your support.

Contribute using UPI

Contribute Using Cards