The project was to design flagship store for luxury furniture brand. The site total area was around 6000 sq.ft of Carpet Area. The project is designed on minimalistic and straight line scheme so as to match with furniture design. The entire space has been kept as single hall with white interiors so as to provide a perfect background for the furniture large size glasses have been given to provide maximum visibility.
Vinod Gupta, of Opus Indigo Studio reflects on the evolution and challenges of the Indian architectural profession, emphasizing the need for architects to reclaim responsibilities beyond design to revitalize the industry’s trajectory.
The formal expressions of the Effluent Treatment Plant (ETP) for Reefat Garments, Kaliganj, Bangladesh, by SILT, signifies the references translated from its mechanical elements into a sculptural form.
Rohingya Cultural Memory Centre, Ukhiya, Bangladesh, by Rizvi Hassan, tries to collect, preserve, and spread those knowledge & stories, to create goodwill among displaced communities even in the most unsettled situations.
Tongxiang MixC Commercial Landscape Design, China, by FLO Landscape Design (Shanghai) Co. Limited, is a symbolic benchmark commercial project that signifies growing economic prosperity in the Jiaxing region, reshaping the new urban identity and rejuvenating the old city.
Hassan House in Calicut, Kerala, by Monsoon Projects, is a modern, sustainable home reflecting contemporary Kerala design and minimalist aesthetics.
The Bait Ur Rouf Jame Mosque, Bangladesh, designed by Marina Tabassum, features a column-free prayer hall with natural light and ventilation, creating a refuge of spirituality in urban Dhaka.
The design of Masjid-e-Haji Abdur Rauf at Malegaon, Maharashtra, by NBZ Architectural Consultants, intends to take believers from tangible to intangible state of mind by the serene quality of spaces both inside and outside.
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