Cinema Multiplex | 6 Screens, at Pacific D21 Mall | Dwarka | New Delhi, by ivpartners

Cinema Multiplex | 6 Screens, at Pacific D21 Mall | Dwarka | New Delhi, by ivpartners

The capital’s new sub-city of Dwarka is coming as the next international diplomatic hub. Brimming with new developments and destination retail experiences it is being developed under the Smart City project. Located on the Metro interchange station this mall is home to a six-screen mega multiplex. Circumscribing a large atrium, the cinema is fronted by retail & flanked by a generous food court. Here, the design narrative needed an elegant new approach speaking a vibrant modernist language in luxury entertainment. - ivpartners
Cinema Multiplex | 6 Screens, at Pacific D21 Mall | Dwarka | New Delhi, by ivpartners

Cinema Multiplex | 6 Screens, at Pacific D21 Mall | Dwarka | New Delhi, by ivpartners

Pacific D21 Mall | Dwarka | New Delhi | 2018-2020

 

Architects– ivpartners: Interior Architecture /Lighting Design / Services Integration / Technology Integration / Furniture Design

The capital’s new sub-city of Dwarka is coming as the next international diplomatic hub. Brimming with new developments and destination retail experiences it is being developed under the Smart City project. Located on the Metro interchange station this mall is home to a six-screen mega multiplex. Circumscribing a large atrium, the cinema is fronted by retail & flanked by a generous food court. Here, the design narrative needed an elegant new approach speaking a vibrant modernist language in luxury entertainment.

 

 

An expansive, symmetrical u-layout with a wing-side entrance created a unique start point with the arrival foyer playing on advantage to the central main foyer. The challenge was to create a leading on experience towards the central f&b area with design elements. The light flooring with abstract design pattern was set into the thorough-fare with glass panelled light alcoves in rhythmic panels on the walls. A centrally positioned concierge at arrival is eloquent with blending materials & highlighted background.  Large texture pattern ceiling bays with suspensions break the linearity of the space highlighting the media wall. The interactive media wall at far end is a celebrated design feature set in backlit panels & mirrored ceiling to create double illusion of height & multiplicity. This acts as an architectural wayfinding, drawing in the attention & leading on the patrons towards the central foyer.

The auditorium access foyers are sharply contrasted in dark black setting with angled panels in stone with large numerals. These spaces seem to appear straight out of sci-fi imagery accentuating the high technology embedded in the actual auditorium experience.

 

 

Statement entry doors, backlit ceilings & embedded technology with interactive zones are just a few highlights of this accelerating experience. Unique faceted design detail strings together the varied zones for ticket box, concierge& concessions each distinctively detailed. Low height spaces have been made lighter with mirrors & crystal chandelier suspensions reflecting patterns making it visually magnificent. The large f&b experience and dedicated banquet seating in leather panelled backs allow for great comfort to all age groups and prevent crowding.

Comfort lighting indirect & ambient all integrated with the MEP services was meticulously planned to create a seamless experience. All technology integrated & embedded through the facility was pre-planned with details to create a visually stimulating & dynamic interaction. While the seating is planned & set into quieter cocoons the central spaces hence abuzz with entertainment & delight.

 

 

Intelligent use of materials has been the mainstay of the design creating diversity & interplay in the language within the sophisticated beige black palette. Dark colour mirrors, matt laminates, large format tiles, polished metal accents & bespoke marbles are some of the key picks on the material board.

The auditoriums continue the angled design language of the access foyer with fractured panels turning from wall to ceilings. Deep red acoustic panels with glen check carpet & black leather prime & recliner seating sets the mood for thrilling big screen blockbusters.The auditoriums are integrated with advanced in-theatrical technological solutions such as Dolby digital 7.1 surround system, NextGen 3D screens and RGB laser technology.

Leave a Reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Recent

Edwin Lutyens' bust which was replaced by C. Rajagopalachari's bust in Rashtrapathi Bhavan

“Changing The Statue Does Not Change the Room”—Geethu Gangadhar on Edwin Lutyens’ Bust Removal

The current Indian government replaced Edwin Lutyens’ bust with freedom fighter C. Rajagopalachari’s at Rashtrapati Bhavan, framing it as decolonisation. But symbolic gestures don’t dismantle colonial mindsets embedded in governance, caste, and institutions. Geethu Gangadhar raises an important question: whether this removal is a way to eradicate colonial baggage or systemic removal of history.

Read More »
Massing during construction, retaining the exposed concrete facade composition, cross columns and profiled beams. Archival collection of Tibet House, 1977. Accessed in 2026

Brutalist India | Tibet House, New Delhi

As part of Brutalist India series Bhawna Dandona writes about Tibet House in New Delhi which is a non-profit cultural centre dedicated to preserving Tibetan heritage, founded in 1965 at the Dalai Lama’s request. The current building’s foundation was laid in 1974, with architect Shivnath Prasad.

Read More »
Vivek Rawal

Architecture, Power, and the Poor | “As a profession, architecture lacks moral position and has become complicit in the neoliberal dispossession of the poor.”—Vivek Rawal

Vivek Rawal argues that architecture—as a profession—is structurally aligned with political and economic power rather than social justice. He critiques how architectural education and practice prioritise developers and real estate over communities, turning housing into a market commodity. Even movements like sustainability and participation, he says, often become tools for elite consumption rather than genuine empowerment. True moral reform, according to Rawal, would mean architects relinquishing control and enabling community-led design and housing decisions.

Read More »
The Chunli Guesthouse, Shanghai, China by TEAM_BLDG 1

The Chunli Guesthouse, Shanghai, China by TEAM_BLDG

The Chunli Guesthouse, Shanghai, China by TEAM_BLDG’s response to nature, memory, and the spirit of place. The design takes “Catching” as its spiritual core, emphasizing the relationship between the architecture and the surrounding rice field landscape.

Read More »

Featured Publications

New Release

Stories that provoke enquiry into built environment

www.architecture.live

Subscribe & Join a Community of Lakhs of Readers

We Need Your Support

To be able to continue the work we are doing and keeping it free for all, we request our readers to support in every way possible.

Your contribution, no matter the size, helps our small team sustain this space. Thank you for your support.

Contribute using UPI

Contribute Using Cards