Anika Mittal Dhawan - Mold Design Studio

Anika Mittal Dhawan – Mold Design Studio

Anika Mittal Dhawan - Mold Design Studio

Anika Mittal Dhawan - Mold Design Studio

Anika Mittal, Founder and Director of Mold Design Studio is an Architect and an Urban Designer with over 8 years of experience across all facets of the design and construction industry in India and the UK. She is the founding Director of mold design studio, a multidisciplinary design practice based out of New Delhi and founding Partner of Amalgam, a design studio that specializes in using the traditional Indian craft of inlay to redefine the contemporary Indian modern aesthetic as a blend of convention and modernity.

Leveraging her past experiences gained as project Architect across a multitude of projects ranging from boutique residences to commercial complexes and hospitality to master planning projects; Anika is providing comprehensive solutions across all stages of design and construction through mold design studios.

Anika is also a visiting faculty at the School of Planning and Architecture, New Delhi. She is a keen photographer, and her design and photographic work has been published in journals in India and abroad. 

Following are two works by Anika Mittal Dhawan,

A CLUB HOUSE

Site Sec

The site is suitably located next to a park, with sufficient green spaces for outdoor activities, breakout spaces and open areas. Taking into account the site geometry, access into the site, privacy for club activities and functionality, the site planning ensures that the built form is integrated with the landscape. A grand, double height entry Foyer brings the visitor into the building, taking them through the process of discovery. Since the site level is lower than the road level, the swimming pool is planned to optimize this feature, by negating the need for digging. Further, it is placed along the park edge to ensure privacy and great views and the space under the pool deck can be used to store the pool equipment. One can enter the restaurant/café directly from the entrance foyer at this level, as it gets a view of the pool and also of the amphitheater. A terrace as a spill out space is also envisaged. The rear of the site is planned as the sports zone with a gymnasium that faces the swimming pool. The table tennis and the squash court are at the lower level in the sports zone to avoid noise penetration. The amphitheater starts from the road level going down to the original site level thereby further utilizing the site features.

Read More about the Club House HERE.

SATTAL – The Hill Haven

Sited on top of a Hill, in Saattal (Hindi for “seven lakes”), miles away from the chaos of the city, The Hill haven is a weekend cottage retreat for an urban Indian multi-generation family. Saattal is a group of seven freshwater lakes near the Himalayas, in the Uttarakhand district of India. Famous for its Oak and Pine trees, the lake sits scenically in the Mehragaon valley.

Hill Haven - Mold Design Studio

Anika Dhawan - Mold Design Studio - The Hill HavenThe cottage is sited at the peak of a hilly area, with a glorious view of the valley. The Built form is designed to optimize the views of the valley and to provide maximum open space for the inhabitants. Being a holiday home, the house is planned with common spaces in an open-plan format, with private spaces as well. Each space is designated to have a valley view- hence, multiple spaces are created such as private balconies, common verandahs and a porch to enjoy the weather, the rains and an open terrace to sun bathe. The ground floor houses the common activities, where the family can spend leisure time together, cooking and eating, whereas the first floor accommodated the private spaces.

Read More About The Hill Haven HERE:

Leave a Reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Recent

Source - Deccan Chronicle

Wall As a Public Space
“To read public space only as a spatial condition, as a matter of square footage, zoning, or physical access, is to miss half the picture.”
—Reshma Esther Thomas

Reshma Esther Thomas examines how Hyderabad’s flyover pillars, painted with Cheriyal-style murals under the GHMC’s ‘City Art Scape’ initiative, reveal the paradox of managed public space. What appears to be beautification is actually cultural assertion in the wake of the 2014 bifurcation, bureaucratising a surface that once belonged to those without institutional power.

Read More »
Khazans in Slavador du Mundo, Bardez, Goa. © Kusum Priya (1)

The Map That Was Never Yours
“If publicness is reduced to what is legally accessible, then these landscapes were never public to begin with.”
—V.V. Kusum Priya

As part of our editorial: What makes a space public?, V.V. Kusum Priya argues that Section 39A of Goa’s 2024 Town and Country Planning Act this isn’t just a legal issue, and that it’s the erosion of an unrecognised but collectively sustained commons, and a question of what “public” really means and who benefits from the legislations surrounding this.

Read More »
Life on the public spaces in downtown Calcutta. Source - Wikimedia


“Appropriation of public spaces is the genesis of political movements, of ideological apparatus, and of endangering the city’s multi-dimensional fabric.”
—Dr. Seema Khanwalkar

Dr. Seema Khanwalkar, explores how the public spaces in India are dynamic, contested areas shaped by informal economies, migration, and social negotiation. She reveals how the transactional activities democratise ownership of these spaces, while the political and religious appropriation increasingly displaces this organic vitality, creating exclusion and anxiety. This shrinking of inclusive public space threatens urban social fabric, yet remains largely absent from city planning conversations, making it a far deeper crisis than mere encroachment.

Read More »
Sen Kapadia


“… people like Sen [Kapadia] don’t really leave. They become the questions we continue to ask.”
—A Tribute by Nuru Karim

Nuru Karim reflects on his relationship with Sen Kapadia through three transformative “states of being”—as a student, as a studio colleague, and as an independent professional. To capture Sen’s essence, Karim draws on three powerful metaphors: a mountain (commanding yet silent), a banyan tree (generous and sheltering), and a river (unseen yet ever-present). Together, these images paint a portrait of a man whose quiet depth left an indelible mark on all who encountered him.

Read More »
Sen Kapadia

Nirbhaya Nirgun
“Sen [Kapadia] found his own light early. He followed it without apology and without detour, and never let anyone dim it.”
—A Tribute by Pinkish Shah

Pinkish Shah’s homage to Sen Kapadia, celebrates him as fearless and formless in both life and work. Intellectually rooted in Louis Kahn and Sri Aurobindo, Sen pursued architecture that transcended form toward essential silence. Known for his courage, he maintained quiet, unwavering independence throughout his career.

Read More »
Prof Shireesh Atmaram Deshpande

“Professor Shireesh Deshpande chose the far more difficult task: to mould young minds into thoughtful, responsible, and rooted architects.”—A Tribute by Sarbjit Singh Bagha

Sarbjit Singh Bagha shares his tribute to Prof. Shireesh Atmaram Deshpande (1934–2026), a pioneering figure in Indian architectural education who passed away on 10 April 2026 at 91. Known affectionately as “Dada,” he spent nearly four decades at VNIT Nagpur, founding India’s first M.Arch. programme and introducing innovative pedagogy. He served as President of the Indian Institute of Architects (1992–1994). Choosing teaching over professional practice, he shaped generations of architects.

Read More »

Featured Publications

New Release

Stories that provoke enquiry into built environment

www.architecture.live

Subscribe & Join a Community of Lakhs of Readers

We Need Your Support

To be able to continue the work we are doing and keeping it free for all, we request our readers to support in every way possible.

Your contribution, no matter the size, helps our small team sustain this space. Thank you for your support.

Contribute using UPI

Contribute Using Cards