Designed by Kamath Design Studio, this gateway forms the entrance to an industrial township and power plant. Its form creates a dialogue between local tribal geometries and industrial technology. The design development was undertaken through physical and 3D digital modeling with the geometric information of the digital model being used to create CNC pre-fabricated components that were assembled on site. At 33 meters, this is the largest stainless steel structure in South Asia.
Vivek Rawal argues that architecture—as a profession—is structurally aligned with political and economic power rather than social justice. He critiques how architectural education and practice prioritise developers and real estate over communities, turning housing into a market commodity. Even movements like sustainability and participation, he says, often become tools for elite consumption rather than genuine empowerment. True moral reform, according to Rawal, would mean architects relinquishing control and enabling community-led design and housing decisions.
The Chunli Guesthouse, Shanghai, China by TEAM_BLDG’s response to nature, memory, and the spirit of place. The design takes “Catching” as its spiritual core, emphasizing the relationship between the architecture and the surrounding rice field landscape.
What kinds of spaces exist where women can breathe without being watched? If hysteria no longer exists as a diagnosis, why does its architecture remain? Aditi A., through her research study as a part of the CEPT Writing Architecture course, in the third and last chapter of this series follows the spatial logics that developed to manage hysteria, which continue in the contemporary environments of care safety, and everyday life. If the diagnosis has been discredited, what explains the persistence of its walls?
In his presentation at the CEPT Alumni Meet, in January 2026, Kirtee Shah offers “something to think about” for the architects and planners regarding the future of architecture profession. He urges architects to relearn and refocus on service, sustainability, and inclusivity while addressing urban chaos, poor housing, rural neglect, and climate challenges.
GAZEBO on a Terrace is a 3,000 sq.ft. Terrace residence near Nagthane, Satara, Maharashtra, designed by Studio Montage, lightweight rooftop residence designed as a floating intervention above an existing banquet hall.
Sathya Prakash Varanashi shares a heartfelt tribute to architect Shankar Kanade, highlighting his architectural philosophy, mentorship, humility, and lasting influence on design thinking and his practice.
Stories that provoke enquiry into built environment
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