Swastika Dance Studio at Bangalore by Biome Environmental Solutions

Swastika Dance Studio at Bangalore by Biome Environmental Solutions

The brief given to Biome Environmental Solutions was to design a dance and music studio with an intimate platform for performing arts on a small plot in Bangalore, that would also serve as a  venue for workshops and small events at times. The challenges of a tight site and requirements led to a design where each space and element played more than one role.
Swastika Dance Studio at Bangalore by Biome Environmental Solutions

Swastika Dance Studio at Bangalore by Biome Environmental Solutions

The  brief given to Bioem Environmental Solutions was to design a dance and music studio with an intimate platform for performing arts on a small plot in Bangalore, that would also serve as a  venue for workshops and small events at times.

The challenges of a tight site and requirements led to a design where each space and element played more than one role.

Partially sinking the building allowed the double height volume required for the dance studio to be accommodated while being acoustically sound, without compromising on light and ventilation. It also provided the soil necessary to make the stabilised mud bricks used to build the structure.

A narrow skylight at the east and precast concrete rings windows create play of light in the studio through the day. Additional light pours in through a common front court, which connects all three levels of the studio and makes the space interactive during performances and events.

From the studio, a staircase supported on a brick vault leads to the ground level, where the car park serves as a temporary waiting area for parents of students.

The solid central core of the staircase, made with mud rendered plum concrete using construction debris as aggregate and cylindrical openings, forms a strong element of the facade along with the West Indian elm tree at the entrance.

A metal staircase curves around this core to the first floor level, which comprises of a music studio, an outdoor platform, an office, and a common washroom.

The music studio and the platform are separated by full height glazing, that opens up to become a larger performance space. This double height open space is shaded by a sloping roof made of processed tetra pack corrugated sheets with a central skylight.

Rainwater from the roof is harvested and reused for the studio’s requirements.

A gallery on the second floor overlooks the performance area, and serves as a passage to guest suites for visiting trainers of dance, music and yoga.

The vertical connectivity between the three levels was brought in through the triple height front court creating an opportunity for lively interaction among students in a stimulating open environment.

Drawings

Project Facts

Architects: Biome Environmental Solutions
Location: Bengaluru, Karnataka, India
Design Team: Chitra Vishwanath, Anurag Tamankar, Ramya.M.A, Lekha Samant, Akshaya.R, Siddharth.V
Site Area: 139.35 sqm
Project Year: 2017
Photographs: Vivek Muthuramalingam
Manufacturers: Jaquar, Saahas Zero Waste, Silver Frost
Consultants: Mahijaa, Mesha Structural Consultants
Contractors: Sunil Kumar

One Response

Leave a Reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Recent

Folles de la Salpétrière, (Cour des agitées.) (Madwomen of the Salpétrière. (Courtyard of the mentally disturbed.))

Gender. Hysteria. Architecture. | “How Did a Diagnosis Learn to Draw Walls?”

Did these spaces heal women or teach them how to disappear? Aditi A., through her research study as a part of the CEPT Writing Architecture course, in this chapter follows hysteria as it migrates from text to typology, inquiring how architectural decisions came to stand in for care itself. Rather than assuming architecture responded to illness, the inquiry turns the question around: did architecture help produce the vulnerability it claimed to manage?

Read More »
Gender, Hysteria, and Architecture - The Witch Hunt. Henry Ossawa Tanner. Source - Wikiart

Gender. Hysteria. Architecture. | “When Did Care Become Confinement?”

Was architecture used by society to spatially “manage” women and their autonomy? Aditi A., through her research study as a part of the CEPT Writing Architecture course, examines the period before psychiatry, when fear had already become architectural, tracing how women’s autonomy was spatially managed through domestic regulation, witch hunts, informal confinement, and early institutional planning.

Read More »

A Modernist’s Doubt: Symbolism and the Late Career Turn

Why did acclaimed modernist architects suddenly introduce historical symbolism like arches, decorative elements, and other cultural references into their work after decades of disciplined restraint? Sudipto Ghosh interrogates this 1980s-90s symbolic turn as a rupture in architecture, questioning whether this represents an authentic reconnection with content and memory, or is it a mere superficial gesture towards absent meanings. Drawing from Heidegger’s analysis of the Greek temple, he distinguishes two modes of architectural representation, ultimately judging that this turn was a nascent rebellion against modernism that may have failed to achieve genuine integration of context, material, and memory.

Read More »
Ode to Pune - A Vision. © Narendra Dengle - 1

The City That Could Be: An Ode to Pune

Narendra Dengle, through his poem written in January 2006, presents a deep utopic vision for Pune—what the city could be as an ecologically sustainable, equitable city that balances nature with development. He sets ambitious benchmarks for prioritizing public transport over cars, preserving heritage, addressing slum rehabilitation humanely, and empowering local communities

Read More »

Featured Publications

New Release

We Are Hiring

Stories that provoke enquiry into built environment

www.architecture.live

Subscribe & Join a Community of Lakhs of Readers