Kawdia House - Rajasthan - Girish Dariyav Karnawat

Kawdia House at Rajasthan, by Girish Dariyav Karnawat

Kawdia House at Rajasthan by Girish Dariyav Karnawat: Designed for a joint family comprising of ten members spanning across three generations, the plot is located in a small town called Rajsamand within state of Rajasthan. Its well-known for its fine quality marble mining globally. The plot is located on a sloping gradient of a hillock. The plot is flanked with streets on three sides.
Kawdia House - Rajasthan - Girish Dariyav Karnawat

The following content (text, images, illustrations and videos) for the project is provided by the design firm. 

Client Name: P C Kawdia
Stage: Unbuilt
Location: Rajsamand, Rajasthan
Built up area: 5500 sqft
Site area: 3335 sqft

Designed for a joint family comprising of ten members spanning across three generations, the plot is located in a small town called Rajsamand within state of Rajasthan. Its well-known for its fine quality marble mining globally.

The plot is located on a sloping gradient of a hillock. The plot is flanked with streets on three sides. An internal street on the fourth side was created thus rendering it symmetrical along both its axis in terms of solid and void. The plot subsequently was divided into nine squares. The house has a family entrance on North West and a guest entrance on south west. A third entrance for services was created on the north east facade that led to the central courtyard.

Kawdia House at Rajasthan

Owing to the sloping nature of the site, a basement was introduced to house, a guest bedroom and an office space which have a separate access from the internal street on North West. Extreme variation in temperatures between and summer and winter seasons, sloping nature of site, locally available stone and marble, rocky terrain, vernacular courtyard typology, nature of traditional business joint families of this region and the changing lifestyles due to new prosperity flowing in owing to marble mining and trade were the key aspects that triggered the design evolution.

External walls are made of load bearing stones used as random rubble. Internal walls are of plastered bricks and reinforced cement concrete is used for the slabs. Loose and fixed furniture was conceived of timber and plywood. Flooring is laid of white marble.

Team/ Consultants involved: Principal Architect: Girish Dariyav Karnawat
Assistant architect: Jigna Desai, Mehul Bhat
Important materials used: Stone, Brick, RCC, Lime, Marble

Drawings:

Share your comments

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Recent

Diwan-i-Khas at Fatehpur Sikri. Image by Manfred Sommer

“If the received wisdom of this Western historiography is Eurocentric and subjective, how do we trace the evolution of architectural consciousness in India?”—Jaimini Mehta

The essay is the second of a three-part series of preview essays for Jaimini Mehta’s forthcoming book, Sense of Itihasa; Architecture and History in Modern India. He explores how colonial perspectives distorted Indian architectural history, arguing that indigenous architectural theories existed beyond Eurocentric interpretations, with the mandala symbolizing a deeper conceptual understanding of cosmic and spatial design.

Read More »
Jaimini Mehta - Architecture and History

“Unless you ask these questions, you will not realise that it is not history but the perception of history that needs to be revisited.”—Jaimini Mehta

The essay is the first of a three-part series of preview essays for Jaimini Mehta’s forthcoming book, Sense of Itihasa; Architecture and History in Modern India.
The book analyses the works of several contemporary, post-independence Indian architects to demonstrate that since independence, they have revitalized traditional architectural elements and techniques, drawing inspiration from India’s itihasa.

Read More »
Social Media and Architecture. @ArchitectureLive! (Image is AI generated)

“Social media has pulled back the curtain, democratizing the discourse and, more importantly, the architect’s image.” —Athulya Aby

Athulya Aby writes about how social media has transformed architecture, making it accessible to the masses. While it offers opportunities for inclusivity and innovation, it also poses risks of superficiality and prioritizing aesthetics over function. The future lies in balancing online presence with real-world impact, according to Athulya.

Read More »

Featured Publications

We Are Hiring