History of Architectural Representations

Sabu Francis

About the Author
 
Sabu Francis is an architect, educator and IT professional. A graduate of IIT Kharagpur (B. Arch-Honors. 1984), he has been actively involved in architectural practice, research, writing, teaching and developing software for the architecture community. SabuFrancis got the 1991 special JIIA award for architectural research. His work was used in two research projects with IIT Bombay. He has participated in 4 international conferences and has conducted numerous workshops on the use of computers in architecture. His new company, Syncspace, is coming up with innovative solutions for architecture and the Internet. He has been an advocate of open source in architecture and has a website, www.teamtad.com dedicated to it.
 
 
 
 
 

Introduction:

“When you have a hammer, all problems look like a nail” – Abraham Maslow. It applies to architects too: The usage of architectural drawings is so prevalent among architects that we sometimes tend to think that is all that is needed to solve the problems of designing: It is a convenient hammer to drive all nails. It is important to understand the history of building representation. Historically, drawings such as the one we are taught to make, came to us to solve the constructional aspects of our works. Not really for designing. We, architects, are taught in schools to delineate only what is built and leave what is not built (i.e. spaces) as a by-product of what is built. So, traditionally, we leave dark lines where we cut through solid matter and leave it to the viewer to interpret the spaces. Architectural representation exhibits a “figure-ground” illusion, where both the figure and the ground are important. This presentation clarifies that duality and puts things in a historical perspective on what needs to be represented during an architectural design process. The usage of the tools of designing, namely CAD/BIM/whatever should be re-examined carefully, or else some important issues that require volume calculations of the spaces (such as heat load calculations, acoustic analysis, etc.) become more difficult.

The full presentation can be downloaded by clicking HERE.

Leave a Reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Recent

Edwin Lutyens' bust which was replaced by C. Rajagopalachari's bust in Rashtrapathi Bhavan

“Changing The Statue Does Not Change the Room”—Geethu Gangadhar on Edwin Lutyens’ Bust Removal

The current Indian government replaced Edwin Lutyens’ bust with freedom fighter C. Rajagopalachari’s at Rashtrapati Bhavan, framing it as decolonisation. But symbolic gestures don’t dismantle colonial mindsets embedded in governance, caste, and institutions. Geethu Gangadhar raises an important question: whether this removal is a way to eradicate colonial baggage or systemic removal of history.

Read More »
Massing during construction, retaining the exposed concrete facade composition, cross columns and profiled beams. Archival collection of Tibet House, 1977. Accessed in 2026

Brutalist India | Tibet House, New Delhi

As part of Brutalist India series Bhawna Dandona writes about Tibet House in New Delhi which is a non-profit cultural centre dedicated to preserving Tibetan heritage, founded in 1965 at the Dalai Lama’s request. The current building’s foundation was laid in 1974, with architect Shivnath Prasad.

Read More »
Vivek Rawal

Architecture, Power, and the Poor | “As a profession, architecture lacks moral position and has become complicit in the neoliberal dispossession of the poor.”—Vivek Rawal

Vivek Rawal argues that architecture—as a profession—is structurally aligned with political and economic power rather than social justice. He critiques how architectural education and practice prioritise developers and real estate over communities, turning housing into a market commodity. Even movements like sustainability and participation, he says, often become tools for elite consumption rather than genuine empowerment. True moral reform, according to Rawal, would mean architects relinquishing control and enabling community-led design and housing decisions.

Read More »
The Chunli Guesthouse, Shanghai, China by TEAM_BLDG 1

The Chunli Guesthouse, Shanghai, China by TEAM_BLDG

The Chunli Guesthouse, Shanghai, China by TEAM_BLDG’s response to nature, memory, and the spirit of place. The design takes “Catching” as its spiritual core, emphasizing the relationship between the architecture and the surrounding rice field landscape.

Read More »

Featured Publications

New Release

Stories that provoke enquiry into built environment

www.architecture.live

Subscribe & Join a Community of Lakhs of Readers

We Need Your Support

To be able to continue the work we are doing and keeping it free for all, we request our readers to support in every way possible.

Your contribution, no matter the size, helps our small team sustain this space. Thank you for your support.

Contribute using UPI

Contribute Using Cards